Mellin de Saint-Gelais  

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Mooi vies, knap lelijk. Grotesk realisme in rederijkerskluchten by Femke Kramer

"Sixteenth-century rederjiker farce invites us to partake of highly graphic scenes filled with raw and raucous sound and imagery: of bodies and their exterior and interior anatomy, wide extremes of emotion, as well as varied acts of violence, hinging and boozing, bizarre rituals, and hybrid creatures apparently composed of human and animal parts. When imagining the sound of the dialogues-in-performance, we can hear vibrant and ornate language enumerating at length foodstuffs, diseases, body parts, or blasphemies, macaronis incantations crowded with fanciful characters, or long-lasting exchanges of insults. In their farce-writing, the sixteenth-century rederijkers appear to have cultivated to a fine art the aesthetics of grotesque realism."

Villon (1431 - c. 1463) , Rabelais (c. 1494 - 1553) , Marot (1496–1544), Brantome (c. 1540–1614) Viau (1590 - 1626) , Scarron (1610 - 1660), Évremond (1610 - 1703)

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libertinage - Cabinet satirique


"Men vindt in L'Histoire Comique de Francion van Charles Sorel (1623) een prachtige tirade vóór het behoud van de erotiek en tegen deze woorden; drasties of humoristies bij Rabelais, soldatesk en satyriek in de XVIe en XVIIe eeuw (Maynard, d'Esternod, Sigogne) worden zij in de libertijnse romans van de XVIIIe eeuw meer en meer vervangen door z.g. poëtiese en bloemrijke perifrasen, die weldra belachelik aandoen; en toch kan men bij een auteur als Nerciat zien hoeveel een roman met perifrasen (Félicia, Le Doctorat Impromptu) aan werkelike erotiek wint boven een roman met de schokkende woorden (Le Diable au Corps, Les Aphrodites). --E. du Perron

"A Paris, Jules Gay avait donné sous le Second Empire quelques réimpressions d'œuvres qu'on peut considérer comme les classiques du second rayon." --Les diables amoureux‎ by Guillaume Apollinaire

Émile Henriot, Les livres du second rayon : irréguliers et libertins, Paris : le Livre, 1926




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