Mel Gordon
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
Revision as of 09:25, 12 May 2018 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 09:32, 12 May 2018 Jahsonic (Talk | contribs) Next diff → |
||
Line 17: | Line 17: | ||
*''[[Horizontal Collaborations]]'' (2015) | *''[[Horizontal Collaborations]]'' (2015) | ||
==See also== | ==See also== | ||
+ | *[[Funnyman]] | ||
*[[Nobrow]] | *[[Nobrow]] | ||
*[[Transgression]] | *[[Transgression]] | ||
{{GFDL}} | {{GFDL}} | ||
[[Category:Canon]] | [[Category:Canon]] |
Revision as of 09:32, 12 May 2018
"Schreyer was able to mount premier performances of Walden's Transgression, Stramm's Powers and The Bride of the Moor, as well as Expressionist adaptations of Holderlin's Death of Empedocles and a German folk play." --Expressionist Texts (1986) |
Related e |
Featured: |
Mel Gordon (February 18, 1947 - March 22, 2018) was a theatrical historian. He wrote on 1920s Berlin, Grand Guignol, lazzi, Hanussen, Dada, drugs and Expressionism.
Bibligraphy
- Expressionist Texts (1986)
- Dada Performance (1987)
- The Grand Guignol (1988)
- The Stanislavsky Technique (2000)
- Hanussen: Hitler's Jewish Clairvoyant (2001)
- Lazzi: The Comic Routines of the Commedia dell'Arte (2001)
- Voluptuous Panic (2006)
- The Seven Addictions and Five Professions of Anita Berber (2006)
- Horizontal Collaborations (2015)
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Mel Gordon" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.