Medieval theatre
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- | {{Template}} | + | {{Template}}'''Medieval theatre''' refers to the theatre of [[Europe]] between the fall of the [[Roman Empire]] and the beginning of the [[Renaissance]]. The term refers to a variety of genres because the time period covers approximately a thousand years of the art form and an entire continent. Most medieval theatre is not well documented due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance. |
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+ | At the beginning of the Middle Ages, the [[Roman Catholic Church]] banned theatrical performances, mostly as an attempt to curb the excesses of the [[Roman theatre]]. The Roman theatre was in decline because the economic and political conditions could not support the vast entertainment industry that had grown up in the empire and included [[circus|circuses]], [[horse racing|horse races]], gladiatorial combat, and the Roman comedies that are still sometimes performed today. | ||
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+ | Very little is known about secular drama during the early medieval time. There certainly existed some performances that were not fully fledged theatre; they may have been carryovers from the original pagan cultures (as is known from records written by the clergy disapproving of such festivals). It is also known that mimes, minstrels, bards, storytellers, and jugglers traveled in search of new audiences and financial support. Not much is known about these performers' repertoire and no written texts survive. | ||
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At the beginning of the Middle Ages, the Roman Catholic Church banned theatrical performances, mostly as an attempt to curb the excesses of the Roman theatre. The Roman theatre was in decline because the economic and political conditions could not support the vast entertainment industry that had grown up in the empire and included circuses, horse races, gladiatorial combat, and the Roman comedies that are still sometimes performed today.
Very little is known about secular drama during the early medieval time. There certainly existed some performances that were not fully fledged theatre; they may have been carryovers from the original pagan cultures (as is known from records written by the clergy disapproving of such festivals). It is also known that mimes, minstrels, bards, storytellers, and jugglers traveled in search of new audiences and financial support. Not much is known about these performers' repertoire and no written texts survive.