Marlene Dietrich
From The Art and Popular Culture Encyclopedia
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| - | '''Marlene Dietrich''' ([[December 27]], [[1901]] – [[May 6]], [[1992]]) was a German-born [[actress]], [[singer]], and [[sex symbol]]. | + | '''Marlene Magdalene''' (27 December 1901 – 6 May 1992) was a [[German actress]] and singer. Her career spanned from the 1910s to the 1980s. |
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| + | She is best known for her rendition of "[[Lili Marleen]]" and her "[[Ich bin von Kopf bis Fuß auf Liebe eingestellt]]". | ||
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| + | In 1920s [[Berlin]], Dietrich performed on the stage and in [[silent film]]s. Her performance as Lola-Lola in [[Josef von Sternberg]]'s ''[[The Blue Angel]]'' (1930) brought her international acclaim and a contract with [[Paramount Pictures]]. Dietrich starred in many [[Hollywood]] films including, most iconically, the six vehicles directed by Sternberg —''[[Morocco (film)|Morocco]]'' (1930) (her only [[Academy Award for Best Actress|Academy Award]] nomination), ''[[Dishonored (film)|Dishonored]]'' (1931), ''[[Shanghai Express (film)|Shanghai Express]]'' and ''[[Blonde Venus]]'' (both 1932), ''[[The Scarlet Empress]]'' (1934) and ''[[The Devil Is a Woman (1935 film)|The Devil Is a Woman]]'' (1935)— plus ''[[Desire (1936 film)|Desire]]'' (1936) and ''[[Destry Rides Again]]'' (1939). She successfully traded on her glamorous persona and "exotic" looks, and became one of the highest-paid actresses of the era. Throughout [[World War II]] she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films including [[Alfred Hitchcock]]'s ''[[Stage Fright (1950 film)|Stage Fright]]'' (1950), [[Billy Wilder]]'s ''[[Witness for the Prosecution (1957 film)|Witness for the Prosecution]]'' (1957), [[Orson Welles]]'s ''[[Touch of Evil]]'' (1958) and [[Stanley Kramer]]'s ''[[Judgment at Nuremberg]]'' (1961), Dietrich spent most of the 1950s to the 1970s touring the world as a marquee live-show performer. | ||
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| + | Dietrich was known for her humanitarian efforts during the war, housing German and French exiles, providing financial support and even advocating their American citizenship. For her work on improving morale on the front lines during the war, she received several honors from the United States, France, Belgium and Israel. In 1999 the [[American Film Institute]] named Dietrich the ninth [[AFI's 100 Years...100 Stars|greatest female screen legend]] of [[Classical Hollywood cinema|classic Hollywood cinema]]. | ||
| - | Throughout her long career, starting as a [[cabaret]] singer, [[chorus girl]] and film actress in [[1920s Berlin]], [[Hollywood]] movie star, [[World War II]] frontline entertainer and finally an international stage show performer, Dietrich constantly re-invented herself and eventually became one of the entertainment icons of the 20th century. | ||
| - | ==Filmography== | ||
| - | *''Love Tragedy'' (1923) | ||
| - | *''The Little Napoleon'' (1923) | ||
| - | *''Man by the Wayside'' (1923) | ||
| - | *''Leap Into Life'' (1924) | ||
| - | *''Dance Mad'' (1925) | ||
| - | *''The Bogus Baron'' (1926) | ||
| - | *''[[Manon Lescaut]]'' (1926) | ||
| - | *''Madame Doesn't Want Children'' (1926) | ||
| - | *''A Modern DuBarry'' (1927) | ||
| - | *''Chin Up, Charley!'' (1927) | ||
| - | *''His Greatest Bluff'' (1927) | ||
| - | *''Cafe Electric'' (1927) | ||
| - | *''Princess Olala'' (1928) | ||
| - | *''Dangers of the Engagement Period'' (1929) | ||
| - | *''[[I Kiss Your Hand, Madame]]'' (1929) | ||
| - | *''The Woman One Longs For'' (1929) | ||
| - | *''The Ship of Lost Men'' (1929) | ||
| - | *''[[Der blaue Engel|The Blue Angel]]'' (1930) | ||
| - | *''[[Morocco (1930 movie)|Morocco]]'' (1930) | ||
| - | *''[[Dishonored]]'' (1931) | ||
| - | *''[[Shanghai Express (Film)|Shanghai Express]]'' (1932) | ||
| - | *''[[Blonde Venus]]'' (1932) | ||
| - | *''[[The Song of Songs]]'' (1933) | ||
| - | *''[[The Scarlet Empress]]'' (1934) | ||
| - | *''The Fashion Side of Hollywood'' (1935) (short subject) | ||
| - | *''[[The Devil is a Woman]]'' (1935) | ||
| - | *''I Loved a Soldier'' (1936) (unfinished) | ||
| - | *''[[Desire (1936 film)|Desire]]'' (1936) | ||
| - | *''[[The Garden of Allah (film)|The Garden of Allah]]'' (1936) | ||
| - | *''[[Knight Without Armour]]'' (1937) | ||
| - | *''[[Angel (1937 film)|Angel]]'' (1937) | ||
| - | *''[[Destry Rides Again]]'' (1939) | ||
| - | *''[[Seven Sinners]]'' (1940) | ||
| - | *''[[The Flame of New Orleans]]'' (1941) | ||
| - | *''[[Manpower (1941 film)|Manpower]]'' (1941) | ||
| - | *''The Lady Is Willing'' (1942) | ||
| - | *''[[The Spoilers (1942 film)|The Spoilers]]'' (1942) | ||
| - | *''[[Pittsburgh (1942 film)|Pittsburgh]]'' (1942) | ||
| - | *''[[Show Business at War]]'' (1943) (short subject) | ||
| - | *''[[Follow the Boys]]'' (1944) | ||
| - | *''[[Kismet (1944 film)|Kismet]]'' (1944) | ||
| - | *''[[Martin Roumagnac]]'' (1946) | ||
| - | *''[[Golden Earrings]]'' (1947) | ||
| - | *''[[A Foreign Affair]]'' (1948) | ||
| - | *''[[Jigsaw (1949 film)|Jigsaw]]'' (1949) (cameo) | ||
| - | *''[[Stage Fright (film)|Stage Fright]]'' (1950) | ||
| - | *''[[No Highway in the Sky]]'' (1951) | ||
| - | *''[[Rancho Notorious]]'' (1952) | ||
| - | *''[[The Monte Carlo Story]]'' (1956) | ||
| - | *''[[Around the World in Eighty Days (1956 film)|Around the World in Eighty Days]]'' (1956) (cameo) | ||
| - | *''[[Witness for the Prosecution]]'' (1957) | ||
| - | *''[[Touch of Evil]]'' (1958) | ||
| - | *''[[Judgment at Nuremberg]]'' (1961) | ||
| - | *''Black Fox: The True Story of Adolf Hitler'' (1962) (documentary) (narrator) | ||
| - | *''[[Paris, When It Sizzles]]'' (1964) (cameo) | ||
| - | *''[[An Evening With Marlene Dietrich]]'' (''I Wish You Love'') (1972) London concert film | ||
| - | *''[[Schöner Gigolo, armer Gigolo|Just a Gigolo]]'' (1979) | ||
| - | *''[[Marlene (1984 film)|Marlene]]'' (1984) (documentary) (Dietrich insisted that director [[Maximilian Schell]] record only her voice and not film her or her face) | ||
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Marlene Magdalene (27 December 1901 – 6 May 1992) was a German actress and singer. Her career spanned from the 1910s to the 1980s.
She is best known for her rendition of "Lili Marleen" and her "Ich bin von Kopf bis Fuß auf Liebe eingestellt".
In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola-Lola in Josef von Sternberg's The Blue Angel (1930) brought her international acclaim and a contract with Paramount Pictures. Dietrich starred in many Hollywood films including, most iconically, the six vehicles directed by Sternberg —Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934) and The Devil Is a Woman (1935)— plus Desire (1936) and Destry Rides Again (1939). She successfully traded on her glamorous persona and "exotic" looks, and became one of the highest-paid actresses of the era. Throughout World War II she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films including Alfred Hitchcock's Stage Fright (1950), Billy Wilder's Witness for the Prosecution (1957), Orson Welles's Touch of Evil (1958) and Stanley Kramer's Judgment at Nuremberg (1961), Dietrich spent most of the 1950s to the 1970s touring the world as a marquee live-show performer.
Dietrich was known for her humanitarian efforts during the war, housing German and French exiles, providing financial support and even advocating their American citizenship. For her work on improving morale on the front lines during the war, she received several honors from the United States, France, Belgium and Israel. In 1999 the American Film Institute named Dietrich the ninth greatest female screen legend of classic Hollywood cinema.
