Marina Abramović  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 11:12, 10 February 2013
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 11:19, 10 February 2013
Jahsonic (Talk | contribs)

Next diff →
Line 4: Line 4:
Abramović's work explores the relationship between performer and audience, the [[limit]]s of the [[body art|body]], and the possibilities of the mind. Abramović's work explores the relationship between performer and audience, the [[limit]]s of the [[body art|body]], and the possibilities of the mind.
==See also== ==See also==
-*[[Avant-garde]] 
-*[[Experimental theatre]] 
-*[[Fluxus]] 
-*[[Richard Foreman]] 
*[[Happening]] *[[Happening]]
-*[[Dick Higgins]] 
-*[[Intermedia]] 
-*[[Allan Kaprow]] 
-*[[Elizabeth LeCompte]] 
-*[[Ontological-Hysteric Theater]] 
*[[Performance art]] *[[Performance art]]
-*[[Richard Schechner]] 
-*[[Speculations: An Essay on the Theater]] 
-*[[The Flea Theater]] 
-*[[The Wooster Group]] 
-*[[Mac Wellman]] 
{{GFDL}} {{GFDL}}

Revision as of 11:19, 10 February 2013

Related e

Wikipedia
Wiktionary
Shop


Featured:

Marina Abramović (born 30 November 1946, in Belgrade, Yugoslavia) is a performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the “grandmother of performance art.”

Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Marina Abramović" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools