List of works by Francisco Goya  

From The Art and Popular Culture Encyclopedia

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The following is an incomplete list of Francisco Goya's works. Besides the blue-linked articles, many images can be found at Wikipedia Commons.

Paintings

• Scenes of Cannibalism
• Hannibal the Conqueror (1770)
• Martin Zapater (1770)
• The Adoration of the Name of God (1772; cathedral of Nuestra Señora del Pilar, Zaragoza)
• Tapestry Cartoons (1775–92)
• The Parasol (1777)
• Blind Guitarist (1778)
• La nevada (1780)
• Winter (The Snowstorm) (1780)
• Crucified Christ (1780; Prado, Madrid)
• The Queen of Martyrs (1780–81; cathedral of Nuestra Señora del Pilar);
• St. Bernardino of Siena (1782–83; San Francisco el Grande, Madrid);
• Family of Infante Don Luis (1783)
• Maria Teresa de Borbon y Vallabriga (1783)
• The Count of Floridablanca and Goya (1783; Banco Urquijo, Madrid);
• Sermon of Saint Bernardino of Siena (1784)
• Portrait of Don Manuel Osorio de Manrique Zuniga (1784–1788)
• The Annunciation (1785; private collection, Spain);
• The Marquesa de Pontejos (c. 1786; National Gallery of Art, Washington, D.C.);
• Spring (or The Flower Girls) (1786–87)
• The Forge (1786–1787)
• The Swing (1787)
• St Francis Borgia at the Deathbed of an Impenitent (1788)
• Family of the Duke of Osuna (1788; Prado);
• Manuel Osorio de Zúñiga (1788; Metropolitan Museum of Art, New York City);
• Self-portrait in the Studio (c. 1790–95), Real Academia de Bellas Artes de San Fernando.
• Josefa Bayeu (1790–1815)
• Little Giants (1791–92)
• Portrait of Mariana Waldstein (c. 1792)
• Strolling Players (1793)
• Fire (1793–1794)
• Yard with Lunatics (1793–94)
• The Madhouse (1794; Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas);
• The Marquesa de la Solana (c. 1794–95; Louvre, Paris);
• Duchess of Alba (1795)
• Duchess of Alba & Her Duenna (1795)
• "White" Portrait (1795)
• Self-Portrait on Linen (1795–1797)
• "Black" Portrait (1797)
• Duchess of Alba (1797)
• Duchess of Alba (1797; Hispanic Society of America, New York City);
• Que se la llevaron! (1797–98)
• What a sacrifice! (1797–98)
• The Sleep of Reason Produces Monsters (1797–98)
• They say yes and give their hand to the first comer (1797–98)
• You who cannot(1797–98)
• Self-Portrait with Spectacles (1797–1800)
• Miracle of St. Antony (1798)
• The Taking of Christ (1798; Cathedral, Toledo);
• Ferdinand Guillemardet (1798; Louvre);
• A Miracle of St. Anthony of Padua” and other scenes (1798; San Antonio de la Florida, Madrid)
• Witches Sabbath (1789)
• Queen Maria Luisa, on Horseback (1799; Prado);
• La Tirana (Goya) (1799; Academy of San Fernando, Madrid);
• Countess of Chinchon (1800)
• La maja desnuda
• Charles IV of Spain and His Family (1800–1801; Prado)
• La maja vestida (c. 1800–05; Prado);
• Bartolome Sureda y Miserol (c. 1803–04)
• Isabel de Porcel (1804–05)
• Francisca Sabasa y Garcia (1804–1808; National Gallery, Washington D.C)
• Doña Teresa Sureda (c. 1805)
• Young Woman with a Fan (1805–1810)
• Portrait of Doña Isabel de Porcel (c. 1806; National Gallery, London);
• The Colossus (c. 1808–12; Prado);
• Majas on a Balcony (c. 1808–12)
• Time and the Old Women (c. 1810–12; Musée des Beaux-Arts, Lille, Fr.);
• General Manuel Romero (c. 1810; private collection, Chicago);
• Time (Goya) (1810)
• Contra el bien general (c. 1810)
• Allegory of the City of Madrid (1810; Casa del Ayuntamiento, Madrid);
• Time (c. 1810–12)
• Majas on a Balcony (Metropolitan Museum version) (1810–1812)
• The Duke of Wellington (1812–14; National Gallery, London);
• Prison Interior (c. 1810–14)
• Dead Turkey (1812)
• The Burial of the Sardine (1812–1819)
• The Majas on the Balcony (c. 1812; Metropolitan Museum of Art)
• This is worse (c. 1812–13)
• Mariano Goya (c. 1812–14; private collection, Madrid)
• Portrait of Rita Moon Luna (1814)
• Ferdinand VII in an Encampment (c. 1814; Prado)
• The Second of May 1808 (1814; Prado)
• The Third of May 1808 (1814; Prado)
• Young Women with a Letter (c. 1814–18; Musée des Beaux-Arts, Lille)
• May the rope break! (c. 1815)
• Self-Portrait (1815; Academy of San Fernando);
• Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon (1815–16)
• La Tauromaquia (1815–1816)
• Burial of the Sardine (sketch) (c. 1816)
• Inquisition Scene (c. 1816)
• The Procession (c. 1816)
• SS. Justa and Rufina (1817; Cathedral, Seville)
• The Forge (Goya) (c. 1817)
• The Giant (1818)
• The Forge (c. 1819; Frick Collection, New York City)
• Portrait of Don Juan Antonio Cuervo (1819; Cleveland Museum of Art);
• The Last Communion of St. Joseph of Calasanz (1819; Escuelas Pías de San Antón, Madrid);
• Agony in the Garden (Goya) (1819; Escuelas Pías de San Antón).
• Self-Portrait with Doctor Arrieta (1820; Minneapolis Institute of Arts, Minnesota);
• Men Reading (c. 1819–23)
• Carnival Scene (1820–1824)
• Atropos (The Fates) (1820–1823)
• Goat (Goya) (1820–1823)
• Fight with Cudgels (1820–1823)
• Two Women (1820–1823)
• Men Reading (1820–1823)
• Deaf Man (1820–1823)
• Asmodea (1820–1823)
• Old Men Eating (1820–1823)
• The Dog (1820–23)
• Fight with Cudgels (1820–23)
• The Great He-Goat or Witches Sabbath (c. 1821–23)
• Leocadia (c. 1821–23)
• Saturn Devouring His Son (c. 1821–23)
• Two Old Men (c. 1821–23)
• Two Old Women Eating from a Bowl (c. 1821–23)
• Two Young People Laughing at a Man (c. 1821–23)
• Leandro Fernández de Moratín (1824; Museo de Bellas Artes, Bilbao, Spain);
• The Milkmaid of Bordeaux (1825–27; Prado)
• Don Juan Bautista de Muguiro (1827; Prado)
• Don José Pío de Molina (1827–28; Reinhart Collection, Winterthur)
• Josefa Bayeu (unknown dating)
• Striker Family Goya (unknown dating)

Etchings

Los Caprichos (1792–1799)

• Plate 43 – The sleep of reason
• Plate 2 – They Say Yes
• Plate 33 – To the Count Palantine
• Plate 55 – Until Death
• Plate 77 – First One, Then Another

The Disasters of War (1810–1820)

• Plate 7 – What Valor!
• Plate 9 – They do not want to
• Plate 31 – This is too much!
• Plate 32 – Why?
• Plate 39 – Great Deeds – Against the Dead
• Plate 47 – This is how it happened
• Plate 69 – Nada – We shall see

Los disparates (1815–1824)

• Plate 1 – Feminine Folly
• Plate 2 – Folly of Fear
• Plate 3 – Strange Folly
• Plate 4 – Big Booby
• Plate 5 – Folly on the Wing
• Plate 6 – Foolish Fury
• Plate 7 – Matrimonial Extravagance
• Plate 8 – People in Sacks
• Plate 9 – Universal Folly
• Plate 10 – Young Woman on a Bucking Horse
• Plate 11 – Folly of Poverty
• Plate 12 – Three Gentlemen and Three Dancing Ladies
• Plate 13 – One Way to Fly
• Plate 14 – Foolishness at the Carnival
• Plate 15 – Pure Folly
• Plate 16 – Exhortation
• Plate 17 – Loyalty
• Plate 18 – Old Man Wandering Among Phantoms
• Plate 19 – A Familiar Folly
• Plate 20 – Foolish Precision
• Plate 21 – Animal Foolishness
• Plate 22 – Foolish Extravagance

Unknown

• Woman with Scythe and Serpent

Chronology

Las series de grabados de Goya son:

• 1771, Huida a Egipto (grabado suelto)
• 1778, serie de grabados sobre cuadros de Velázquez
• 1778-1780, El agarrotado (grabado suelto)
• 1799, Los caprichos
• 1810-1815, Los desastres de la guerra
• 1816, La tauromaquia
• 1815-1823, Los disparates
• 1824-1825, Los toros de Burdeos (cuatro litografías)

Drawings

• Utter Madness
• Duchess of Alba and Maria de la Luz
• For Being A Jew
• A Group of Women
• Self Portrait (drawing)

See also

• List of Francisco Goya's tapestry cartoons
• Museo del Grabado de Goya