Liebestod
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- | ''[[Liebestod]]'' ([[German language|German]], "Love's Death") is the title of a [[song]] from the [[opera]] ''[[Tristan und Isolde]]'' by [[Richard Wagner]]. | + | ''[[Liebestod]]'' ([[German language|German]], "Love's Death") is the title of a musical composition, the dramatic climax from the opera ''[[Tristan und Isolde]]'' by Richard Wagner. |
As a literary term ''liebestod'' (from German ''[[Liebe]]'', [[love]] and ''tod'', [[death]]), refers to the [[literary theme|theme]] of '''erotic death''' or '''love death''' meaning the two lovers' [[consummation]] of their love in death or after death. (see [[afterlife]]) | As a literary term ''liebestod'' (from German ''[[Liebe]]'', [[love]] and ''tod'', [[death]]), refers to the [[literary theme|theme]] of '''erotic death''' or '''love death''' meaning the two lovers' [[consummation]] of their love in death or after death. (see [[afterlife]]) |
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Liebestod (German, "Love's Death") is the title of a musical composition, the dramatic climax from the opera Tristan und Isolde by Richard Wagner.
As a literary term liebestod (from German Liebe, love and tod, death), refers to the theme of erotic death or love death meaning the two lovers' consummation of their love in death or after death. (see afterlife)
Two-sided examples include Tristan und Isolde, Romeo and Juliet, Axel and to some degree Wuthering Heights, one-sided examples Porphyria's Lover and The Sorrows of Young Werther.
The joint real life suicide of Heinrich von Kleist and lover Henriette Vogel is often associated with the liebestod theme.
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Literature
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See also
- Dead Lovers, painting
- "Gamiani", novella, with a liebestod climax
- Amour fou
- Lost love
- Love and death
- Love sickness
- "Magdalen's skull", legend
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Liebestod" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.