Latsploitation
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| - | "Latsploitation embraces the Argentine 'sexploitation' films of [[Armando Bo]] and [[Isabel Sarli]], the Brazilian ''[[pornochanchada]]'' subgenre, and Ecuador's ultra low-budget 'hitmen' films. By far the largest producer in the region, however, is *Mexico—giving rise to the term [[mexploitation]]." --''A Dictionary of Film Studies'' (2012), Annette Kuhn, Guy Westwell | + | "Latsploitation embraces the Argentine '[[sexploitation]]' films of [[Armando Bo]] and [[Isabel Sarli]], the Brazilian ''[[pornochanchada]]'' subgenre, and Ecuador's ultra low-budget 'hitmen' films. By far the largest producer in the region, however, is *Mexico—giving rise to the term [[mexploitation]]." --''A Dictionary of Film Studies'' (2012), Annette Kuhn, Guy Westwell |
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| '''Latsploitation''' is a term used to denote [[Latin American]] [[exploitation film]]s. | '''Latsploitation''' is a term used to denote [[Latin American]] [[exploitation film]]s. | ||
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| + | The term was coined in 2009 with the publication of ''[[Latsploitation, Exploitation Cinemas, and Latin America]]'' (2009). | ||
| + | ==See also== | ||
| + | * [[Latin American cinema]] | ||
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"Latsploitation embraces the Argentine 'sexploitation' films of Armando Bo and Isabel Sarli, the Brazilian pornochanchada subgenre, and Ecuador's ultra low-budget 'hitmen' films. By far the largest producer in the region, however, is *Mexico—giving rise to the term mexploitation." --A Dictionary of Film Studies (2012), Annette Kuhn, Guy Westwell |
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Latsploitation is a term used to denote Latin American exploitation films.
The term was coined in 2009 with the publication of Latsploitation, Exploitation Cinemas, and Latin America (2009).
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Latsploitation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
