Images of Lust
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| + | Si ces discours ne satisfont à l'incredulité de vos seigneuries, presentement ... visitez Lusignan, Partenay, Vovant, Mervant, & Ponzauges en Poictou. --Rabelais | ||
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| - | :''[[medieval erotica]], [[Sheela na Gig]], [[corbel]]'' | ||
| - | ''[[Images of Lust: Sexual Carvings on Medieval Churches]]'' by [[Anthony Weir]], [[James Jerman]], [[1999]] | + | '''''Images of Lust: Sexual Carvings on Medieval Churches''''' ([[1999]]) is a book on [[explicit]] religious corbels by [[Anthony Weir]] and [[James Jerman]]. |
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| + | From the publisher: | ||
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| + | :From the famous [[sheela-na-gig]]s, through all forms of exhibitionists-mermaids, [[centaur]]s, [[miser]]s and [[priapic]] figures--extraordinary sculptures considered "obscene" by today's standards may be found on churches in Britain, Ireland, France and Spain. This book examines their origins and purposes and sees them not as sacrilegious figures, or symbols, nor even as idols of ancient pre-Christian religions, but as serious works that dealt with the sexual customs and salvation of medieval folk, and thus gave support to the church's moral teachings. | ||
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| + | ==See also== | ||
| + | *[[Explicit corbels]] | ||
| + | *[[Medieval erotica]] | ||
| + | *[[Sheela na Gig]] | ||
| + | *[[Corbel]] | ||
| + | *[[Baubo]] | ||
| + | *[[Romanesque art]] | ||
| + | *[[Romanesque architecture]] | ||
| - | :"Like Santa Marta, it has a corbel table, with almost 100 corbels on it, vigorously and expressively carved. Of these, one quarter are [[obscene]], ..." | ||
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Si ces discours ne satisfont à l'incredulité de vos seigneuries, presentement ... visitez Lusignan, Partenay, Vovant, Mervant, & Ponzauges en Poictou. --Rabelais |
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Images of Lust: Sexual Carvings on Medieval Churches (1999) is a book on explicit religious corbels by Anthony Weir and James Jerman.
From the publisher:
- From the famous sheela-na-gigs, through all forms of exhibitionists-mermaids, centaurs, misers and priapic figures--extraordinary sculptures considered "obscene" by today's standards may be found on churches in Britain, Ireland, France and Spain. This book examines their origins and purposes and sees them not as sacrilegious figures, or symbols, nor even as idols of ancient pre-Christian religions, but as serious works that dealt with the sexual customs and salvation of medieval folk, and thus gave support to the church's moral teachings.
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See also
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