High and Low: Modern Art and Popular Culture
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| The exhibition was a kind of response to [[Clement Greenberg]]'s ''[[Avant-Garde and Kitsch]]'', attempting to elucidate the extent that artists and [[high culture]] drew on and from [[popular culture]]. Although universally panned at the time as the only event that could bring [[Douglas Crimp]] and [[Hilton Kramer]] together in a chorus of [[scorn]], the exhibition is remembered today as a benchmark of the conflict between [[late modernism]] and [[postmodernism]]. | The exhibition was a kind of response to [[Clement Greenberg]]'s ''[[Avant-Garde and Kitsch]]'', attempting to elucidate the extent that artists and [[high culture]] drew on and from [[popular culture]]. Although universally panned at the time as the only event that could bring [[Douglas Crimp]] and [[Hilton Kramer]] together in a chorus of [[scorn]], the exhibition is remembered today as a benchmark of the conflict between [[late modernism]] and [[postmodernism]]. | ||
| ==TOC== | ==TOC== | ||
| - | *High and low before their time / Irving Lavin -- | + | *High and low before their time / [[Irving Lavin]][[ |
| - | *Subjects from common life in the real language of men / Lorenz Eitner -- | + | *Subjects from common life in the real language of men / [[Lorenz Eitner]] |
| - | *Picasso, collage, and the music hall / Jeffrey S. Weiss -- | + | *Picasso, collage, and the music hall / [[Jeffrey S. Weiss]] |
| - | *Cubism as pop art / Robert Rosenblum -- | + | *Cubism as pop art / [[Robert Rosenblum]] |
| - | *A brazen Can-Can in the temple of art / John E. Bowlt -- | + | *A brazen Can-Can in the temple of art / [[John E. Bowlt]] |
| - | *No joy in Mudville / Robert Storr -- | + | *No joy in Mudville / [[Robert Storr]] |
| - | *The independent group / Lynne Cooke -- | + | *The independent group / [[Lynne Cooke]] |
| - | *Golden days / Peter Plagens -- | + | *Golden days / [[Peter Plagens]] |
| - | *The last cause / Roger Shattuck. | + | *The last cause / [[Roger Shattuck]] |
| - | + | ||
| ==See also== | ==See also== | ||
| *[[Nobrow]] | *[[Nobrow]] | ||
| *[[High and Low]] | *[[High and Low]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 21:45, 11 November 2013
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High and Low: Modern Art and Popular Culture (1990) was an exhibition at New York's Museum of Modern Art curated by Kirk Varnedoe and Adam Gopnik.
The exhibition was a kind of response to Clement Greenberg's Avant-Garde and Kitsch, attempting to elucidate the extent that artists and high culture drew on and from popular culture. Although universally panned at the time as the only event that could bring Douglas Crimp and Hilton Kramer together in a chorus of scorn, the exhibition is remembered today as a benchmark of the conflict between late modernism and postmodernism.
TOC
- High and low before their time / Irving Lavin[[
- Subjects from common life in the real language of men / Lorenz Eitner
- Picasso, collage, and the music hall / Jeffrey S. Weiss
- Cubism as pop art / Robert Rosenblum
- A brazen Can-Can in the temple of art / John E. Bowlt
- No joy in Mudville / Robert Storr
- The independent group / Lynne Cooke
- Golden days / Peter Plagens
- The last cause / Roger Shattuck
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "High and Low: Modern Art and Popular Culture" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
