Hieronymus Bosch: Weltbilder und Traumwerk  

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-''[[Hieronymus Bosch: Weltbilder und Traumwerk]]'' (1976) is a study on [[Hieronymus Bosch]] by [[Hans Holländer]]. It is reviewed by [[Eric De Bruyn]] here[http://www.bloggen.be/hieronymus_bosch/archief.php?ID=2041607].+''[[Hieronymus Bosch: Weltbilder und Traumwerk]]'' (1975) is a study on [[Hieronymus Bosch]] by [[Hans Holländer]]. It is reviewed by [[Eric De Bruyn]] here[http://www.bloggen.be/hieronymus_bosch/archief.php?ID=2041607].
In the chapter on the legacy, influence and appreciation of Bosch, Holländer points to three works in Italy influenced by Bosch's [[visual language]]: ''[[The Dream of Raphael]]'' a print by Raimondi, ''[[La notte (Battista Dossi)|la notte]]'' (1534), a painting by [[Battista Dossi]] and [[Orpheus and Eurydice (Titian)|''Orpheus and Eurydice'']], a painting of 1511 by [[Titian]]. In the chapter on the legacy, influence and appreciation of Bosch, Holländer points to three works in Italy influenced by Bosch's [[visual language]]: ''[[The Dream of Raphael]]'' a print by Raimondi, ''[[La notte (Battista Dossi)|la notte]]'' (1534), a painting by [[Battista Dossi]] and [[Orpheus and Eurydice (Titian)|''Orpheus and Eurydice'']], a painting of 1511 by [[Titian]].

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Hieronymus Bosch: Weltbilder und Traumwerk (1975) is a study on Hieronymus Bosch by Hans Holländer. It is reviewed by Eric De Bruyn here[1].

In the chapter on the legacy, influence and appreciation of Bosch, Holländer points to three works in Italy influenced by Bosch's visual language: The Dream of Raphael a print by Raimondi, la notte (1534), a painting by Battista Dossi and Orpheus and Eurydice, a painting of 1511 by Titian.





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