Gothic fiction
From The Art and Popular Culture Encyclopedia
| Revision as of 19:52, 18 April 2007 84.198.171.89 (Talk) ← Previous diff |
Revision as of 08:55, 28 May 2007 WikiSysop (Talk | contribs) Next diff → |
||
| Line 2: | Line 2: | ||
| '''Gothic fiction''' began in [[England]] with ''[[The Castle of Otranto]]'' ([[1764]]) by [[Horace Walpole]]. It depended for its effect on the pleasing [[terror]] it induced in the reader, a new extension of literary pleasures that was essentially [[Romanticism|Romantic]]. | '''Gothic fiction''' began in [[England]] with ''[[The Castle of Otranto]]'' ([[1764]]) by [[Horace Walpole]]. It depended for its effect on the pleasing [[terror]] it induced in the reader, a new extension of literary pleasures that was essentially [[Romanticism|Romantic]]. | ||
| - | Prominent features of gothic fiction include terror (both psychological and physical), [[mystery]], the [[supernatural]], [[ghost]]s, [[haunted house]]s and [[Gothic architecture]], [[castles]], [[darkness]], [[death]], [[decay]], [[Doppelgänger|doubles]], [[Insanity|madness]], [[secrets]] and [[hereditary]] [[curse|curses]]. | + | Prominent features of gothic fiction include terror (both psychological and physical), [[mystery]], the [[supernatural]], [[ghost]]s, [[haunted house]]s and [[Gothic architecture]], [[castle]]s, [[darkness]], [[death]], [[decay]], [[Doppelgänger|doubles]], [[Insanity|madness]], [[secret]]s and [[hereditary]] [[curse|curses]]. |
| - | The [[stock characters]] of gothic fiction include [[tyrants]], [[villains]], [[bandit]]s, [[maniac]]s, [[Byronic hero|Byronic heroes]], [[Damsel in distress|persecuted maidens]], [[femme fatale|femmes fatales]], [[The Madwoman in the Attic|madwomen]], [[Magician (fantasy)|magicians]], [[vampires]], [[werewolves]], [[monsters]], [[demons]], [[revenant]]s, [[ghost]]s, [[skeleton (undead)|perambulating skeletons]], the [[Wandering Jew]] and the [[Devil]] himself. | + | The [[stock character]]s of gothic fiction include [[tyrant]]s, [[villain]]s, [[bandit]]s, [[maniac]]s, [[Byronic hero|Byronic heroes]], [[Damsel in distress|persecuted maidens]], [[femme fatale|femmes fatales]], [[The Madwoman in the Attic|madwomen]], [[Magician (fantasy)|magicians]], [[vampire]]s, [[werewolves]], [[monster]]s, [[demon]]s, [[revenant]]s, [[ghost]]s, [[skeleton (undead)|perambulating skeletons]], the [[Wandering Jew]] and the [[Devil]] himself. |
| Important ideas concerning and regarding the Gothic include: [[Anti-Catholicism]], especially criticism of [[Roman Catholic]] excesses such as the [[Inquisition]] (in southern European countries such as Italy and Spain); [[romanticism]] of an ancient Medieval past; [[melodrama]]; and parody (including self-parody). [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [Apr 2007] | Important ideas concerning and regarding the Gothic include: [[Anti-Catholicism]], especially criticism of [[Roman Catholic]] excesses such as the [[Inquisition]] (in southern European countries such as Italy and Spain); [[romanticism]] of an ancient Medieval past; [[melodrama]]; and parody (including self-parody). [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [Apr 2007] | ||
Revision as of 08:55, 28 May 2007
|
Related e |
|
Featured: |
Gothic fiction began in England with The Castle of Otranto (1764) by Horace Walpole. It depended for its effect on the pleasing terror it induced in the reader, a new extension of literary pleasures that was essentially Romantic.
Prominent features of gothic fiction include terror (both psychological and physical), mystery, the supernatural, ghosts, haunted houses and Gothic architecture, castles, darkness, death, decay, doubles, madness, secrets and hereditary curses.
The stock characters of gothic fiction include tyrants, villains, bandits, maniacs, Byronic heroes, persecuted maidens, femmes fatales, madwomen, magicians, vampires, werewolves, monsters, demons, revenants, ghosts, perambulating skeletons, the Wandering Jew and the Devil himself.
Important ideas concerning and regarding the Gothic include: Anti-Catholicism, especially criticism of Roman Catholic excesses such as the Inquisition (in southern European countries such as Italy and Spain); romanticism of an ancient Medieval past; melodrama; and parody (including self-parody). [1] [Apr 2007]
