George Eliot
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| + | “She is magnificently [[ugly]]—deliciously hideous. She has a low forehead, a dull grey eye, a vast pendulous nose, a huge mouth, full of uneven teeth, and a chin and jaw-bone qui n’en nissent pas.… Now in this vast ugliness resides a most powerful beauty which, in a very few minutes, steals forth and charms the mind, so that you end as I ended, in falling in love with her.” --[[Henry James]] on [[George Eliot]] | ||
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| '''Mary Ann Evans''' ([[22 November]] [[1819]] – [[22 December]] [[1880]]), better known by her [[pen name]] '''George Eliot''', was an [[England|English]] [[novelist]]. She was one of the leading writers of the [[Victorian era]]. Her novels, largely set in provincial England, are well known for their [[realism (arts)|realism]] and psychological perspicacity. | '''Mary Ann Evans''' ([[22 November]] [[1819]] – [[22 December]] [[1880]]), better known by her [[pen name]] '''George Eliot''', was an [[England|English]] [[novelist]]. She was one of the leading writers of the [[Victorian era]]. Her novels, largely set in provincial England, are well known for their [[realism (arts)|realism]] and psychological perspicacity. | ||
| She used a male pen name, she said, to ensure that her works were taken seriously. Female authors published freely under their own names, but Eliot wanted to ensure that she was not seen as merely a writer of romances. An additional factor may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married [[George Henry Lewes]]. | She used a male pen name, she said, to ensure that her works were taken seriously. Female authors published freely under their own names, but Eliot wanted to ensure that she was not seen as merely a writer of romances. An additional factor may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married [[George Henry Lewes]]. | ||
| + | ==Works== | ||
| + | ===Novels=== | ||
| + | * ''[[Adam Bede]]'', 1859 | ||
| + | * ''[[The Mill on the Floss]]'', 1860 | ||
| + | * ''[[Silas Marner]]'', 1861 | ||
| + | * ''[[Romola]]'', 1863 | ||
| + | * ''[[Felix Holt, the Radical]]'', 1866 | ||
| + | * ''[[Middlemarch]]'', 1871-72 | ||
| + | * ''[[Daniel Deronda]]'', 1876 | ||
| + | |||
| + | ===Poetry=== | ||
| + | Poems by George Eliot include: | ||
| + | * ''The Spanish Gypsy'' (a dramatic poem) 1868 | ||
| + | * ''Agatha'', 1869 | ||
| + | * ''Armgart'', 1871 | ||
| + | * ''Stradivarius'', 1873 | ||
| + | * ''The Legend of Jubal'', 1874 | ||
| + | * ''Arion'', 1874 | ||
| + | * ''A Minor Prophet'', 1874 | ||
| + | * ''A College Breakfast Party'', 1879 | ||
| + | * ''The Death of Moses'', 1879 | ||
| + | * ''From a London Drawing Room'', | ||
| + | * ''Count That Day Lost'', ? | ||
| + | |||
| + | ===Other works=== | ||
| + | * Translation of "The Life of Jesus Critically Examined" by [[David Strauss]], 1846 | ||
| + | * Translation of "The Essence of Christianity" by [[Ludwig Feuerbach]], 1854 | ||
| + | * ''[[Scenes of Clerical Life]]'', 1858 | ||
| + | ** ''The Sad Fortunes of the Rev. Amos Barton'' | ||
| + | ** ''Mr Gilfil's Love Story'' | ||
| + | ** ''Janet's Repentance'' | ||
| + | * ''[[The Lifted Veil]]'', 1859 | ||
| + | * [http://www.princeton.edu/~batke/eliot/jacob/ ''Brother Jacob''], 1864 | ||
| + | * ''[[Impressions of Theophrastus Such]]'', [[1879]] | ||
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“She is magnificently ugly—deliciously hideous. She has a low forehead, a dull grey eye, a vast pendulous nose, a huge mouth, full of uneven teeth, and a chin and jaw-bone qui n’en nissent pas.… Now in this vast ugliness resides a most powerful beauty which, in a very few minutes, steals forth and charms the mind, so that you end as I ended, in falling in love with her.” --Henry James on George Eliot |
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Mary Ann Evans (22 November 1819 – 22 December 1880), better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity.
She used a male pen name, she said, to ensure that her works were taken seriously. Female authors published freely under their own names, but Eliot wanted to ensure that she was not seen as merely a writer of romances. An additional factor may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes.
Contents |
[edit]
Works
[edit]
Novels
- Adam Bede, 1859
- The Mill on the Floss, 1860
- Silas Marner, 1861
- Romola, 1863
- Felix Holt, the Radical, 1866
- Middlemarch, 1871-72
- Daniel Deronda, 1876
[edit]
Poetry
Poems by George Eliot include:
- The Spanish Gypsy (a dramatic poem) 1868
- Agatha, 1869
- Armgart, 1871
- Stradivarius, 1873
- The Legend of Jubal, 1874
- Arion, 1874
- A Minor Prophet, 1874
- A College Breakfast Party, 1879
- The Death of Moses, 1879
- From a London Drawing Room,
- Count That Day Lost, ?
[edit]
Other works
- Translation of "The Life of Jesus Critically Examined" by David Strauss, 1846
- Translation of "The Essence of Christianity" by Ludwig Feuerbach, 1854
- Scenes of Clerical Life, 1858
- The Sad Fortunes of the Rev. Amos Barton
- Mr Gilfil's Love Story
- Janet's Repentance
- The Lifted Veil, 1859
- Brother Jacob, 1864
- Impressions of Theophrastus Such, 1879
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