Frans Masereel
From The Art and Popular Culture Encyclopedia
| Revision as of 22:29, 19 November 2008 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 10:44, 7 September 2012 Jahsonic (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| - | '''Frans Masereel''' ([[July 31]], [[1889]] - [[January 3]], [[1972]]) was a [[Flemish people|Flemish]] painter and is considered one of the greatest [[woodcut]] artists of the twentieth century. He was educated by the [[Ghent]] painter [[Jean Delvin]] at the Ghent Academy of Fine Art. He settled in France in 1910, then moved to Switzerland in 1914 then in 1921 to [[Paris]] and later [[Berlin]] where his closest creative friend was [[George Grosz]]. After [[World War II]], Masereel lived in [[Avignon]] and [[Nice]], France. His greatest work is generally said to be the wordless [[graphic novel]] ''Mon Livre d'Heures'' (''Passionate Journey''). He completed over 20 other wordless novels in his career. His work has strongly influenced the work of [[Clifford Harper]] as well as [[Eric Drooker]]. | + | '''Frans Masereel''' (31 July 1889 – 3 January 1972) was a [[Flemish people|Flemish]] painter and graphic artist who worked mainly in France. He is known especially for his [[woodcut]]s. His greatest work is generally said to be the wordless [[graphic novel]] ''Mon Livre d'Heures'' (''Passionate Journey''). He completed over 20 other wordless novels in his career. Masereel's woodcuts strongly influenced the work of [[Lynd Ward]] and later graphic artists such as [[Clifford Harper]] and [[Eric Drooker]]. |
| + | |||
| + | There is now a Frans Masereel Centre (Frans Masereel Centrum for Graphix) in the small village of [[Kasterlee]] in Belgium. | ||
| + | |||
| + | ==Biography== | ||
| + | [[File:MettlachMosaikFuellhornres.jpg|thumb|right|220px|[[Mosaic]] "Das Füllhorn" ''([[Cornucopia]])'' by Frans Masereel]] | ||
| + | |||
| + | Frans Masereel was born in the Belgian [[Blankenberge]] on 31 July 1889. He moved to Ghent in 1896, where he began to study at the [[École des Beaux-Arts]] in the class of [[Jean Delvin]] at the age of 18. In 1909 he went on trips to England and Germany, which inspired him to create his first [[etching]]s and [[woodcut]]s. From 1911 on Masereel settled in Paris for four years and then he emigrated to Switzerland, where he worked as a graphic artist for various journals and magazines. His woodcut series, mainly of sociocritical content and of [[expressionistic]] form concept, made Masereel internationally known. Among these were the so-called image novels ''Die Passion eines Menschen'', ''Mein Stundenbuch'', ''Die Sonne'', ''Die Idee'' and ''Geschichte ohne Worte'', all of which dated from c. 1920. At that time Masereel also drew illustrations for famous works of world literature by [[Thomas Mann]], [[Émile Zola]] and [[Stefan Zweig]]. In 1921 Masereel returned to Paris, where he painted his famous street scenes, the Montmartre-paintings. He lived for a time in Berlin, where his closest creative friend was [[George Grosz]]. After 1925 he lived near [[Boulogne-sur-Mer]], where he painted predominantly coast areas, harbour views, and portraits of sailors and fishermen. During the 1930s the number of illustrated books and single woodcuts decreased. In 1940 he fled from Paris and lived in several cities in Southern France. | ||
| + | |||
| + | At the end of World War II Masereel was able to resume his artistic work and produced woodcuts and paintings. After 1946 he worked for several years as a teacher at the [[Hochschule der Bildenden Künste Saar]] in [[Saarbrücken]]. In 1949 Masereel settled in [[Nice]]. In the following years until 1968 several series of woodcuts were published, which differ from his earlier "novels in picture'" in comprising variations of a subject instead of being a continuing narrative. He also designed decorations and costumes for numerous theatre productions. The artist was honoured in numerous exhibitions and became a member of several academies. Frans Masereel died in [[Avignon]] in 1972 and was entombed in Ghent. The cultural organization [[Masereelfonds]] was named after him. | ||
| + | |||
| + | ==Influence== | ||
| + | The American graphic artist [[Lynd Ward]] was greatly influenced by Masereel in creating his novels in woodcuts. A number of cartoonists have cited Masereel as an influence on the development of the [[graphic novel]]: [[Art Spiegelman]] cited ''Mon Livre d'Heures'' as an early influence on his ''[[Maus]]'',. [[Will Eisner]] cited Masereel as an influence on his work, as has scratchboard novelist [[Eric Drooker]]. | ||
| + | |||
| - | There is now a Frans Masereel Centre (Frans Masereel Centrum for Graphix) in the small village of [[Kasterlee]] in Belgium. | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 10:44, 7 September 2012
|
Related e |
|
Featured: |
Frans Masereel (31 July 1889 – 3 January 1972) was a Flemish painter and graphic artist who worked mainly in France. He is known especially for his woodcuts. His greatest work is generally said to be the wordless graphic novel Mon Livre d'Heures (Passionate Journey). He completed over 20 other wordless novels in his career. Masereel's woodcuts strongly influenced the work of Lynd Ward and later graphic artists such as Clifford Harper and Eric Drooker.
There is now a Frans Masereel Centre (Frans Masereel Centrum for Graphix) in the small village of Kasterlee in Belgium.
Biography
[[File:MettlachMosaikFuellhornres.jpg|thumb|right|220px|Mosaic "Das Füllhorn" (Cornucopia) by Frans Masereel]]
Frans Masereel was born in the Belgian Blankenberge on 31 July 1889. He moved to Ghent in 1896, where he began to study at the École des Beaux-Arts in the class of Jean Delvin at the age of 18. In 1909 he went on trips to England and Germany, which inspired him to create his first etchings and woodcuts. From 1911 on Masereel settled in Paris for four years and then he emigrated to Switzerland, where he worked as a graphic artist for various journals and magazines. His woodcut series, mainly of sociocritical content and of expressionistic form concept, made Masereel internationally known. Among these were the so-called image novels Die Passion eines Menschen, Mein Stundenbuch, Die Sonne, Die Idee and Geschichte ohne Worte, all of which dated from c. 1920. At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola and Stefan Zweig. In 1921 Masereel returned to Paris, where he painted his famous street scenes, the Montmartre-paintings. He lived for a time in Berlin, where his closest creative friend was George Grosz. After 1925 he lived near Boulogne-sur-Mer, where he painted predominantly coast areas, harbour views, and portraits of sailors and fishermen. During the 1930s the number of illustrated books and single woodcuts decreased. In 1940 he fled from Paris and lived in several cities in Southern France.
At the end of World War II Masereel was able to resume his artistic work and produced woodcuts and paintings. After 1946 he worked for several years as a teacher at the Hochschule der Bildenden Künste Saar in Saarbrücken. In 1949 Masereel settled in Nice. In the following years until 1968 several series of woodcuts were published, which differ from his earlier "novels in picture'" in comprising variations of a subject instead of being a continuing narrative. He also designed decorations and costumes for numerous theatre productions. The artist was honoured in numerous exhibitions and became a member of several academies. Frans Masereel died in Avignon in 1972 and was entombed in Ghent. The cultural organization Masereelfonds was named after him.
Influence
The American graphic artist Lynd Ward was greatly influenced by Masereel in creating his novels in woodcuts. A number of cartoonists have cited Masereel as an influence on the development of the graphic novel: Art Spiegelman cited Mon Livre d'Heures as an early influence on his Maus,. Will Eisner cited Masereel as an influence on his work, as has scratchboard novelist Eric Drooker.
