Film editing  

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 +{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
 +| style="text-align: left;" |
 +"''[[Final Cut: Ladies and Gentlemen]]'' (2012) is a [[Mashup (video)|mashup]] film realized with 451 [[clip]]s from most famous films in history. Other [[supercut]] projects include ''[[The Clock]]'' (2010)." --Sholem Stein
 +
 +|}
 +[[Image:Arrival of a Train at La Ciotat, 1895.jpg|thumb|right|200px|
 +This page '''''{{PAGENAME}}''''' is part of the [[film]] series.
 +<br>
 +Illustration: screen shot from ''[[L'Arrivée d'un train en gare de La Ciotat]]'']]
{{Template}} {{Template}}
-'''Film editing''' is the connecting of one or more [[shot (filming)|shot]]s to form a sequence, and the subsequent connecting of sequences to form an entire movie. Film editing, by definition, is the only art that is unique to cinema and which defines and separates filmmaking from almost all other art forms (such as: [[photography]], [[theater]], [[dance]], [[writing]], and [[Theatre director|directing]]). The job of an editor isn’t merely to mechanically put pieces of a film together, nor to just cut off the film slates, nor merely to edit dialogue scenes. Film editing is an art form which can either make or break a film. A film editor works with the layers of images, the story, the music, the rhythm, the pace, shapes the actors' performances, "re-directing" and often re-writing the film during the editing process, honing the infinite possibilities of the juxtaposition of small snippets of film into a creative, coherent, cohesive whole.{{GFDL}}+'''Film editing''' is the connecting of one or more [[shot (filming)|shot]]s to form a sequence, and the subsequent connecting of sequences to form an entire movie. Film editing, by definition, is the only art that is unique to cinema and which defines and separates filmmaking from almost all other art forms (such as: [[photography]], [[theater]], [[dance]], [[writing]], and [[Theatre director|directing]]). The job of an editor isn’t merely to mechanically put pieces of a film together, nor to just cut off the film slates, nor merely to edit dialogue scenes. Film editing is an art form which can either make or break a film. A film editor works with the layers of images, the story, the music, the rhythm, the pace, shapes the actors' performances, "re-directing" and often re-writing the film during the editing process, honing the infinite possibilities of the juxtaposition of small snippets of film into a creative, coherent, cohesive whole.
 + 
 +== History ==
 +According to [[Amos Vogel]], film editing was born in [[1903]] when Porter found it necessary to glue two pieces of film together to develop a scene in his film [[The Great Train Robbery (film)|The Great Train Robbery]].
 + 
 +== See also ==
 +*[[Edit]]
 +*[[Director's cut]]
 +*[[Re-edited film ]]
 +*[[Jump cut]]
 +*[[Continuity editing]]
 +*[[Soviet montage theory]]
 +*[[Montage]]
 +*[[Supercut]]
 +{{GFDL}}

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"Final Cut: Ladies and Gentlemen (2012) is a mashup film realized with 451 clips from most famous films in history. Other supercut projects include The Clock (2010)." --Sholem Stein

 This page Film editing is part of the film series.  Illustration: screen shot from L'Arrivée d'un train en gare de La Ciotat
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This page Film editing is part of the film series.
Illustration: screen shot from L'Arrivée d'un train en gare de La Ciotat

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Film editing is the connecting of one or more shots to form a sequence, and the subsequent connecting of sequences to form an entire movie. Film editing, by definition, is the only art that is unique to cinema and which defines and separates filmmaking from almost all other art forms (such as: photography, theater, dance, writing, and directing). The job of an editor isn’t merely to mechanically put pieces of a film together, nor to just cut off the film slates, nor merely to edit dialogue scenes. Film editing is an art form which can either make or break a film. A film editor works with the layers of images, the story, the music, the rhythm, the pace, shapes the actors' performances, "re-directing" and often re-writing the film during the editing process, honing the infinite possibilities of the juxtaposition of small snippets of film into a creative, coherent, cohesive whole.

History

According to Amos Vogel, film editing was born in 1903 when Porter found it necessary to glue two pieces of film together to develop a scene in his film The Great Train Robbery.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Film editing" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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