Eros and Thanatos  

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Philosophically, the theme has been explored by [[Georges Bataille]] in ''[[L'Érotisme]]''. Philosophically, the theme has been explored by [[Georges Bataille]] in ''[[L'Érotisme]]''.
-="Erotic horror" in art, literature and cinema=+=In art, literature and cinema=
== In art == == In art ==

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"Human sexuality is, quite apart from Christian repressions, a highly questionable phenomenon, and belongs, at least potentially, among the extreme rather than the ordinary experiences of humanity. Tamed as it may be, sexuality remains one of the demonic forces in human consciousness - pushing us at intervals close to taboo and dangerous desires, which range from the impulse to commit sudden arbitrary violence upon another person to the voluptuous yearning for the extinction of one's consciousness, for death itself." --Susan Sontag in the The Pornographic Imagination

Sex and death have gone hand in hand since the earliest times, but were first linked in Freudian psychology. For Sigmund Freud Eros also called libido, libidinal energy or love, is the life instinct innate in all humans. It is the desire to create life and favours productivity and construction. But starting with Freud's essay Beyond the Pleasure Principle (1920), Eros is opposed by the destructive death instinct of Thanatos (death instinct or death drive). In going "beyond" the simple pleasure principle, Freud developed his theory of drives, by adding the death instinct, often referred to as "Thanatos," although Freud himself never used this term.

Philosophically, the theme has been explored by Georges Bataille in L'Érotisme.

Contents

In art, literature and cinema

In art

In cinema

The erotic horror genre can best be approached through the work of Alfred Hitchcock and Jess Franco. The most relevant movie in the genre is Peeping Tom.

Further reading

Alfred Hitchcock

Cinematic bibliography

See also





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