Ernst Fuchs (artist)
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| - | '''Ernst Fuchs''' (born [[February 13]] [[1930]]) is an [[Austria]]n visionary [[painter]], draftsman, printmaker, [[sculptor]], [[architect]], stage designer, [[composer]], [[poet]], [[singer]] and one of the founders of the [[Vienna School of Fantastic Realism]]. | ||
| - | ==Life and Work== | ||
| - | He studied sculpture with [[Emmy Steinbock]] (1943), attended the St. Anna Painting School where he studied under Professor [[Fröhlich]] (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor [[Robin C. Anderson]], later moving to the class of [[Albert Paris von Gütersloh]]. | ||
| - | At the Academy he met [[Arik Brauer]], [[Rudolf Hausner]], [[Wolfgang Hutter]], and [[Anton Lehmden]], together with whom he later founded what has become known as the [[Vienna School of Fantastic Realism]]. He was also a founding member of the [[Art-Club]] (1946), as well as the [[Hundsgruppe]], set up in opposition to it in 1951, together with [[Friedensreich Hundertwasser]] and [[Arnulf Rainer]]. | + | '''Ernst Fuchs''' (February 13, 1930 - November 9, 2015) was an [[Austria]]n painter, draftsman, printmaker, [[sculptor]], [[architect]], stage designer, [[composer]], [[poet]], [[singer]] and one of the founders of the [[Vienna School of Fantastic Realism]]. In 1972, he acquired the derelict [[Otto Wagner]] Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. |
| - | His work of this period was influenced by the art of [[Gustav Klimt]] and [[Egon Schiele]] and then by [[Max Pechstein]], [[Heinrich Campendonck]], [[Edvard Munch]], [[Henry Moore]] and [[Pablo Picasso]]. During this time, seeking to achieve the vivid lighting effects achieved by such Old Masters as [[Albrecht Altdorfer]], [[Albrecht Dürer]], [[Matthias Grünewald]] and [[Martin Schongauer]], he revived and adopted the ''mischtechnik'' (mixed technique) of painting. In the ''mischtechnik'', [[egg tempera]] is used to build up volume, and is then glazed with [[oil painting|oil paints]] mixed with [[resin]], producing a jewel-like effect. | + | ==Life and work== |
| + | Fuchs studied sculpture with [[Emmy Steinbock]] (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor [[Robin C. Anderson]], later moving to the class of [[Albert Paris von Gütersloh]]. | ||
| - | Between 1950 and 1961, Fuchs lived mostly in [[Paris]], and made a number of journeys to the [[United States]] and [[Israel]]. His favourite reading material at the time was the sermons of [[Meister Eckehart]]. He also studied the [[symbolism]] of the [[alchemy|alchemists]] and read Jung's ''[[Psychology of Alchemy]]''. His favourite examples at the time were the [[mannerism|mannerists]], especially [[Jacques Callot]], and he was also very much influenced by [[Jan Van Eyck]] and [[Jean Fouquet]]. In 1958 he founded the Galerie Fuchs-Fischoff in Vienna to promote and support the younger painters of the [[Fantastic realism|Fantastic Realism]] school. Together with [[Friedensreich Hundertwasser]] and [[Arnulf Rainer]], he founded the [[Pintorarium]]. | + | At the Academy, he met [[Arik Brauer]], [[Rudolf Hausner]], Fritz Janschka, [[Wolfgang Hutter]], and [[Anton Lehmden]], together with whom he later founded what has become known as the [[Vienna School of Fantastic Realism]]. He was also a founding member of the [[Art-Club]] (1946), as well as the [[Hundsgruppe]], set up in opposition to it in 1951, together with [[Friedensreich Hundertwasser]] and [[Arnulf Rainer]]. Fuchs died at the age of 85 on November 9, 2015. |
| - | In 1956 he converted to [[Roman Catholicism]] (his mother had had him baptized during the war in order to save him from being sent to a concentration camp). In 1957 he entered the Dormition Abbey on Mount Zion where he began work on his monumental ''Last Supper'' and devoted himself to producing small sized paintings on religious themes such as Moses and the Burning Bush, culminating in a commission to paint three altar paintings on parchment, the cycle of the ''Mysteries of the Holy Rosary'' (1958-61), for the [[Rosenkranzkirche]] in Hetzendorf, Vienna. He also deals with contemporary issues in his masterpiece of this period, ''Psalm 69'' (1949-60). (Fuchs, 1978, p. 53). | + | ==Career== |
| + | Fuch's work of this period was influenced by the art of [[Gustav Klimt]] and [[Egon Schiele]] and then by [[Max Pechstein]], [[Heinrich Campendonck]], [[Edvard Munch]], [[Henry Moore]] and [[Pablo Picasso]]. During this time, seeking to achieve the vivid lighting effects achieved by such Old Masters as [[Albrecht Altdorfer]], [[Albrecht Dürer]], [[Matthias Grünewald]] and [[Martin Schongauer]], he revived and adopted the [[mischtechnik]] (mixed technique) of painting. In the mischtechnik, [[egg tempera]] is used to build up volume, and is then glazed with [[oil painting|oil paints]] mixed with [[resin]], producing a jewel-like effect. | ||
| - | He returned to Vienna in 1961 and had a vision of what he called the ''verschollener Stil'' (The Hidden Prime of Styles), the theory of which he set forth in his inspired and grandiose book ''[[Architectura Caelestis: Die Bilder des verschollenen Stils]]'' (Salzburg, 1966). He also produced several important cycles of prints, such as ''[[Unicorn]]'' (1950-52), ''[[Samson]]'' (1960-64), ''Esther'' (1964-7) and ''[[Sphinx]]'' (1966-7; all illustrated in Weis). In 1972 he acquired the derelict [[Otto Wagner]] Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the [[Ernst Fuchs Museum]] in 1988. From 1970 on, he embarked on numerous sculptural projects such as ''Queen Esther'' (h. 2.63 m, 1972), located at the entrance to the museum, and also mounted on the radiator cap of the Cadillac at the entrance to the [[Teatro Museo|Dalí Museum]] in [[Figueres]], [[Catalonia]], Spain. | + | Between 1950 and 1961, Fuchs lived mostly in [[Paris]], and made a number of journeys to the [[United States]] and [[Israel]]. His favourite reading material at the time was the sermons of [[Meister Eckhart]]. He also studied the [[symbol]]ism of the [[alchemy|alchemists]] and read [[Carl Jung|Jung]]'s ''[[Psychology and Alchemy]]''. His favourite examples at the time were the [[mannerism|mannerists]], especially [[Jacques Callot]], and he was also very much influenced by [[Jan van Eyck]] and [[Jean Fouquet]]. In 1958 he founded the Galerie Fuchs-Fischoff in Vienna to promote and support the younger painters of the [[Vienna School of Fantastic Realism|Fantastic Realism]] school. Together with [[Friedensreich Hundertwasser]] and [[Arnulf Rainer]], he founded the [[Pintorarium]]. |
| - | From 1974 he became involved in designing stage sets and costumes for the operas of [[Mozart]] and [[Richard Wagner]] including ''[[Die Zauberflöte]]'', ''[[Parsifal]]'', and ''[[Lohengrin (opera)|Lohengrin]]''. | + | In 1956, he converted to [[Roman Catholicism]] (his mother had him baptized during the [[Second World War|war]] in order to save him from being sent to a concentration camp). In 1957, he entered the [[Dormition Abbey]] on Mount Zion where he began work on his monumental ''Last Supper'' and devoted himself to producing small-sized paintings on religious themes such as Moses and the Burning Bush, culminating in a commission to paint three altar paintings on parchment, the cycle of the ''Mysteries of the Holy Rosary'' (1958–61), for the [[Rosenkranzkirche]] in Hetzendorf, Vienna. He also dealt with contemporary issues in his masterpiece of this period, ''Psalm 69'' (1949–60). (Fuchs, 1978, p. 53). |
| - | In 1993 Fuchs was given a retrospective exhibition at the [[Russian museum|State Russian Museum in St. Petersburg]], one of the first Western artists so honored. | ||
| - | Ernst Fuchs continues to inspire, and has many exponents and disciples including [[H.R. Giger]], [[Victor Safonkin]], [[Mati Klarwein]], [[Mark Ryden]], [[Robert Venosa]], [[De Es Schwertberger]], and his son Michael Fuchs. A new generation of students includes [[Andrew Gonzalez (artist)|Andrew Gonzalez]], [[Amanda Sage]], [[Laurence Caruana]], [[Oleg_A._Korolev]] and [[Antonio Roybal]]. | + | Fuchs returned to Vienna in 1961 and had a vision of what he called the ''verschollener Stil'' (Hidden Prime of Styles), the theory of which he set forth in his inspired and grandiose book ''[[Architectura Caelestis: Die Bilder des verschollenen Stils]]'' (Salzburg, 1966). He also produced several important cycles of prints, such as ''[[Unicorn]]'' (1950–52), ''[[Samson]]'' (1960–64), ''Esther'' (1964-7) and ''[[Sphinx]]'' (1966-7; all illustrated in Weis). In 1972, he acquired the derelict [[Otto Wagner]] Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the [[Ernst Fuchs Museum]] in 1988. From 1970 on, he embarked on numerous sculptural projects such as ''Queen Esther'' (h. 2.63 m, 1972), located at the entrance to the museum, and also mounted on the radiator cap of the ''Cadillac'' at the entrance to the [[Teatro Museo|Dalí Museum]] in [[Figueres]], [[Catalonia]], Spain. |
| - | + | ||
| - | From the Foreword to the publication " Metamorphosis": | + | ==Design projects== |
| - | + | From 1974, he became involved in designing stage sets and costumes for the operas of [[Mozart]] and [[Richard Wagner]] including ''[[Die Zauberflöte]]'', ''[[Parsifal]]'', and ''[[Lohengrin (opera)|Lohengrin]]''. He took a stab at industrial design in the 1970s with a 500-piece run of the upscale ''Suomi'' tableware by [[Timo Sarpaneva]] that Fuchs decorated for the German Rosenthal [[porcelain]] maker's ''Studio Linie''. | |
| - | "....Even when Fantastic art was strictly forbidden, such as during the period when Russia was ruled by Brezhnev, knowledge of this style of art continued to spread. One of my first students in 1952 in Paris was a very remarkable, talented person, a dancer, painter and tattoo fetishist, Vali Myers from Melbourne. We stayed in contact until her death in 2005. She and Mati Klarwein were my first followers in Paris, so it gives me great pleasure that another Australian admirer of my work should publish this book. Some of the names included here are very familiar to me, or have studied under my guidance and become excellent teachers themselves – artists such as Brigid Marlin and Philip Rubinov Jacobson. This book will carry a fundamental message to art lovers: Fantastic art has survived despite all official attempts to quench its spirit." | + | |
| - | Ernst Fuchs 2006 | + | In 1993, Fuchs was given a retrospective exhibition at the [[Russian museum|State Russian Museum in St. Petersburg]], one of the first Western artists so honored. |
| + | |||
| + | ==Decorations and awards== | ||
| + | * 1972: City of Vienna Prize for Visual Arts | ||
| + | * 2004: [[Austrian Cross of Honour for Science and Art, 1st class]] | ||
| + | * 2010: Grand Decoration of Carinthia | ||
| + | * 2010: Golden Medal of Honour for Services to the city of Vienna | ||
| ==Publications== | ==Publications== | ||
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| *''Album der Familie Fuchs'' (Salzburg: Residenz, 1973) | *''Album der Familie Fuchs'' (Salzburg: Residenz, 1973) | ||
| *''Im Zeichen der Sphinx: Schriften und Bilder'', ed. Walter Schurian (Munich, Dtv, 1978) | *''Im Zeichen der Sphinx: Schriften und Bilder'', ed. Walter Schurian (Munich, Dtv, 1978) | ||
| - | *''Aura: Ein Marchen der Sehnsucht'' (Munich: Dtv, 1981) | + | *''Aura: Ein Märchen der Sehnsucht'' (Munich: Dtv, 1981) |
| - | *''Der Prophet des Schonen: Arno Breker'' (Marco, 1982) | + | *''Der Prophet des Schönen: Arno Breker'' (Marco, 1982) |
| *''Von Jahwe: Gedichte'' (Munich, 1982) | *''Von Jahwe: Gedichte'' (Munich, 1982) | ||
| <!-- Deleted image removed: [[Image:fuchs.altar.cu.360.jpg|thumb|right|250px|''The transfiguration of the resurrected'', [[egg tempera]] and [[oil painting|oil]] on wood]] --> | <!-- Deleted image removed: [[Image:fuchs.altar.cu.360.jpg|thumb|right|250px|''The transfiguration of the resurrected'', [[egg tempera]] and [[oil painting|oil]] on wood]] --> | ||
| ==Other publications== | ==Other publications== | ||
| - | * Friedrich Haider: ''Ernst Fuchs - Zeichnungen und Graphik aus der frühen Schaffensperiode - 1942 bis 1959.'' Wien: Löcker-Verlag, 2003. ISBN 3-85409-387-X | + | * 1977 - ''Fuchs über Ernst Fuchs: Bilder und Zeichnungen von 1945-1976'', (R.P. Hartmann Paris) ISBN 978-3-492-02283-5 (German Language) |
| + | * 2003 - ''Ernst Fuchs - Zeichnungen und Graphik aus der frühen Schaffensperiode - 1942 bis 1959.'' (Friedrich Haider) (Wien: Löcker-Verlag) ISBN 3-85409-387-X (German Language) | ||
| * 2005 - ''Fantastic Art'' (Taschen)(Schurian, Prof. Dr. Walter) ISBN 978-3-8228-2954-7 (English edition) | * 2005 - ''Fantastic Art'' (Taschen)(Schurian, Prof. Dr. Walter) ISBN 978-3-8228-2954-7 (English edition) | ||
| + | * 2006 - ''True Visions'' ([[Erik Davis]] and Pablo Echaurren) (Betty Books) ISBN 88-902372-0-1 | ||
| * 2007 - ''Metamorphosis'' (beinArt) ISBN 978-0-9803231-0-8 | * 2007 - ''Metamorphosis'' (beinArt) ISBN 978-0-9803231-0-8 | ||
| - | + | * 2008 - ''Phantastischer Realismus'' (Belvedere, Wien) ISBN 978-3-901508-44-8 (German Language) | |
| - | + | ||
| ==See also== | ==See also== | ||
| - | * [[De Es Schwertberger]], a student of Ernst Fuchs | + | * [[Zvi Malnovitzer]], a student of Ernst Fuchs |
| - | * [[Laurence Caruana]], a former assistant who now teaches Fuchs' painting technique. | + | * [[De Es Schwertberger]], a student of Ernst Fuchs |
| - | * [[Oleg_A._Korolev]] a former assistant. | + | |
| * [[Fantastic realism|Fantastic Realism]] School of art | * [[Fantastic realism|Fantastic Realism]] School of art | ||
| * [[Society for the Art of Imagination]] | * [[Society for the Art of Imagination]] | ||
| - | * [[Philip Rubinov Jacobson]], a student of Ernst Fuchs who currently teaches mish technique | ||
| - | *[http://www.galerie-menssen.de/01_kuenstler.php?kuenstler_id=7 Exclusiv works of Ernst Fuchs in the ''Menssen artgallery''] | ||
| ==References== | ==References== | ||
| - | *Ernst Fuchs: ''Zeichnungen und Graphiken'', (Ketterer-Kunst, 1967) | + | * Ernst Fuchs: ''Zeichnungen und Graphiken'', ([[Ketterer-Kunst]], 1967) |
| - | *H. Weis, ed.: ''Ernst Fuchs: Das graphische Werk'' (Vienna, 1967) | + | * H. Weis, ed.: ''Ernst Fuchs: Das graphische Werk'' (Vienna, 1967) |
| - | *Ernst Fuchs: ''Homage à Böcklin'', (Frankf./Main/Geneva/Vienna, 1971) | + | * Ernst Fuchs: ''Homage à Böcklin'', (Frankf./Main/Geneva/Vienna, 1971) |
| - | *''Ernst Fuchs: oeuvre gravé'' (Friburg: Musee d’art et d’histoire, 1975) | + | * ''Ernst Fuchs: oeuvre gravé'' (Friburg: Musee d’art et d’histoire, 1975) |
| - | *''Fuchs über Ernst Fuchs: Bilder und Zeichnungen von 1945-1976'', ed. R.P. Hartmann (Paris, 1977) | + | * ''Fuchs über Ernst Fuchs: Bilder und Zeichnungen von 1945-1976'', ed. R. P. Hartmann (Paris, 1977) |
| - | *Ernst Fuchs: ''Arbeiten für der Hamburger Staatsoper'', (Hamburg 1977) | + | * Ernst Fuchs: ''Arbeiten für der Hamburger Staatsoper'', (Hamburg 1977) |
| - | *R. P. Hartmann, ed.: Ernst Fuchs: Das graphische Werk, 1967-1980 (Munich, 1980) | + | * [[R. P. Hartmann]], ed.: Ernst Fuchs: Das graphische Werk, 1967-1980 (Munich, 1980) |
| - | *Ernst Fuchs: ''Bildalchemie'', (Osnabrück: Kulturgesichtliches Mus., c1981) | + | * Ernst Fuchs: ''Bildalchemie'', (Osnabrück: Kulturgesichtliches Mus., c1981) |
| - | *''Gedichte von Jahwe'' (Munich: R. P. Hartmann, 1982) | + | * ''Gedichte von Jahwe'' (Munich: R. P. Hartmann, 1982) |
| - | *U. Hotzy, ''Ernst Fuchs: die Werke aus den Jahren im Ausland'' (Salzburg, Univ., Diss., 1982) | + | * [[U. Hotzy]], ''Ernst Fuchs: die Werke aus den Jahren im Ausland'' (Salzburg, Univ., Diss., 1982) |
| - | *''Fuchs Graphik: Sydows Katalog einer idealen Sammlung'', ed., Heinrich v. Sydow-Zirkwitz (Berlin: Studio 69, 1983) | + | * ''Fuchs Graphik: Sydows Katalog einer idealen Sammlung'', ed., [[Heinrich von Sydow-Zirkwitz|Heinrich v. Sydow-Zirkwitz]] (Berlin: Studio 69, 1983) |
| - | *''Planeta Caelestis'' (Berlin and Munich, 1987) | + | * ''Planeta Caelestis'' (Berlin and Munich, 1987) |
| - | *''Der Feuerfuchs'', ed. R.P. Hartmann (Frankf./Main: Umschau Verlag, 1988) | + | * ''Der Feuerfuchs'', ed. R. P. Hartmann (Frankf./Main: [[Umschau Verlag]], 1988) |
| - | *''Ernst Fuchs und Wein'', (Landau/Pfalz: Verein Südliche Weinstarasse, 1995) | + | * ''Ernst Fuchs und Wein'', (Landau/Pfalz: [[Verein Südliche Weinstrasse]], 1995) |
| + | * ''Der Maler mit den 16 Kindern, (Die Welt, Nov. 4th, 2001) | ||
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Ernst Fuchs (February 13, 1930 - November 9, 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Contents |
[edit]
Life and work
Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh.
At the Academy, he met Arik Brauer, Rudolf Hausner, Fritz Janschka, Wolfgang Hutter, and Anton Lehmden, together with whom he later founded what has become known as the Vienna School of Fantastic Realism. He was also a founding member of the Art-Club (1946), as well as the Hundsgruppe, set up in opposition to it in 1951, together with Friedensreich Hundertwasser and Arnulf Rainer. Fuchs died at the age of 85 on November 9, 2015.
[edit]
Career
Fuch's work of this period was influenced by the art of Gustav Klimt and Egon Schiele and then by Max Pechstein, Heinrich Campendonck, Edvard Munch, Henry Moore and Pablo Picasso. During this time, seeking to achieve the vivid lighting effects achieved by such Old Masters as Albrecht Altdorfer, Albrecht Dürer, Matthias Grünewald and Martin Schongauer, he revived and adopted the mischtechnik (mixed technique) of painting. In the mischtechnik, egg tempera is used to build up volume, and is then glazed with oil paints mixed with resin, producing a jewel-like effect.
Between 1950 and 1961, Fuchs lived mostly in Paris, and made a number of journeys to the United States and Israel. His favourite reading material at the time was the sermons of Meister Eckhart. He also studied the symbolism of the alchemists and read Jung's Psychology and Alchemy. His favourite examples at the time were the mannerists, especially Jacques Callot, and he was also very much influenced by Jan van Eyck and Jean Fouquet. In 1958 he founded the Galerie Fuchs-Fischoff in Vienna to promote and support the younger painters of the Fantastic Realism school. Together with Friedensreich Hundertwasser and Arnulf Rainer, he founded the Pintorarium.
In 1956, he converted to Roman Catholicism (his mother had him baptized during the war in order to save him from being sent to a concentration camp). In 1957, he entered the Dormition Abbey on Mount Zion where he began work on his monumental Last Supper and devoted himself to producing small-sized paintings on religious themes such as Moses and the Burning Bush, culminating in a commission to paint three altar paintings on parchment, the cycle of the Mysteries of the Holy Rosary (1958–61), for the Rosenkranzkirche in Hetzendorf, Vienna. He also dealt with contemporary issues in his masterpiece of this period, Psalm 69 (1949–60). (Fuchs, 1978, p. 53).
Fuchs returned to Vienna in 1961 and had a vision of what he called the verschollener Stil (Hidden Prime of Styles), the theory of which he set forth in his inspired and grandiose book Architectura Caelestis: Die Bilder des verschollenen Stils (Salzburg, 1966). He also produced several important cycles of prints, such as Unicorn (1950–52), Samson (1960–64), Esther (1964-7) and Sphinx (1966-7; all illustrated in Weis). In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. From 1970 on, he embarked on numerous sculptural projects such as Queen Esther (h. 2.63 m, 1972), located at the entrance to the museum, and also mounted on the radiator cap of the Cadillac at the entrance to the Dalí Museum in Figueres, Catalonia, Spain.
[edit]
Design projects
From 1974, he became involved in designing stage sets and costumes for the operas of Mozart and Richard Wagner including Die Zauberflöte, Parsifal, and Lohengrin. He took a stab at industrial design in the 1970s with a 500-piece run of the upscale Suomi tableware by Timo Sarpaneva that Fuchs decorated for the German Rosenthal porcelain maker's Studio Linie.
In 1993, Fuchs was given a retrospective exhibition at the State Russian Museum in St. Petersburg, one of the first Western artists so honored.
[edit]
Decorations and awards
- 1972: City of Vienna Prize for Visual Arts
- 2004: Austrian Cross of Honour for Science and Art, 1st class
- 2010: Grand Decoration of Carinthia
- 2010: Golden Medal of Honour for Services to the city of Vienna
[edit]
Publications
- Architectura caelestis: die Bilder des verschollenen Stils (Salzburg: Residenz, 1966/Pb ed., Dtv, 1973)
- Album der Familie Fuchs (Salzburg: Residenz, 1973)
- Im Zeichen der Sphinx: Schriften und Bilder, ed. Walter Schurian (Munich, Dtv, 1978)
- Aura: Ein Märchen der Sehnsucht (Munich: Dtv, 1981)
- Der Prophet des Schönen: Arno Breker (Marco, 1982)
- Von Jahwe: Gedichte (Munich, 1982)
[edit]
Other publications
- 1977 - Fuchs über Ernst Fuchs: Bilder und Zeichnungen von 1945-1976, (R.P. Hartmann Paris) ISBN 978-3-492-02283-5 (German Language)
- 2003 - Ernst Fuchs - Zeichnungen und Graphik aus der frühen Schaffensperiode - 1942 bis 1959. (Friedrich Haider) (Wien: Löcker-Verlag) ISBN 3-85409-387-X (German Language)
- 2005 - Fantastic Art (Taschen)(Schurian, Prof. Dr. Walter) ISBN 978-3-8228-2954-7 (English edition)
- 2006 - True Visions (Erik Davis and Pablo Echaurren) (Betty Books) ISBN 88-902372-0-1
- 2007 - Metamorphosis (beinArt) ISBN 978-0-9803231-0-8
- 2008 - Phantastischer Realismus (Belvedere, Wien) ISBN 978-3-901508-44-8 (German Language)
[edit]
See also
- Zvi Malnovitzer, a student of Ernst Fuchs
- De Es Schwertberger, a student of Ernst Fuchs
- Fantastic Realism School of art
- Society for the Art of Imagination
[edit]
References
- Ernst Fuchs: Zeichnungen und Graphiken, (Ketterer-Kunst, 1967)
- H. Weis, ed.: Ernst Fuchs: Das graphische Werk (Vienna, 1967)
- Ernst Fuchs: Homage à Böcklin, (Frankf./Main/Geneva/Vienna, 1971)
- Ernst Fuchs: oeuvre gravé (Friburg: Musee d’art et d’histoire, 1975)
- Fuchs über Ernst Fuchs: Bilder und Zeichnungen von 1945-1976, ed. R. P. Hartmann (Paris, 1977)
- Ernst Fuchs: Arbeiten für der Hamburger Staatsoper, (Hamburg 1977)
- R. P. Hartmann, ed.: Ernst Fuchs: Das graphische Werk, 1967-1980 (Munich, 1980)
- Ernst Fuchs: Bildalchemie, (Osnabrück: Kulturgesichtliches Mus., c1981)
- Gedichte von Jahwe (Munich: R. P. Hartmann, 1982)
- U. Hotzy, Ernst Fuchs: die Werke aus den Jahren im Ausland (Salzburg, Univ., Diss., 1982)
- Fuchs Graphik: Sydows Katalog einer idealen Sammlung, ed., Heinrich v. Sydow-Zirkwitz (Berlin: Studio 69, 1983)
- Planeta Caelestis (Berlin and Munich, 1987)
- Der Feuerfuchs, ed. R. P. Hartmann (Frankf./Main: Umschau Verlag, 1988)
- Ernst Fuchs und Wein, (Landau/Pfalz: Verein Südliche Weinstrasse, 1995)
- Der Maler mit den 16 Kindern, (Die Welt, Nov. 4th, 2001)
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ernst Fuchs (artist)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
