Distancing effect
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{{Template}}The '''alienation effect ''' (from the [[German language|German]] '''''Verfremdungseffekt''''') is a theatrical and cinematic device "which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer." The term was coined by [[playwright]] [[Bertolt Brecht]] to describe the aesthetics of [[epic theatre]]. | {{Template}}The '''alienation effect ''' (from the [[German language|German]] '''''Verfremdungseffekt''''') is a theatrical and cinematic device "which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer." The term was coined by [[playwright]] [[Bertolt Brecht]] to describe the aesthetics of [[epic theatre]]. | ||
+ | ==See also== | ||
+ | *[[Bertolt Brecht]] | ||
+ | *[[defamiliarization]] | ||
+ | *[[Epic theater|Epic Theatre]] | ||
+ | *[[Jean-Luc Godard]] | ||
+ | *[[Rainer Werner Fassbinder]] | ||
+ | *[[Nagisa Oshima]] | ||
+ | *[[Lars von Trier]] | ||
+ | *[[Hal Hartley]] | ||
{{GFDL}} | {{GFDL}} |
Revision as of 21:18, 30 April 2008
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See also
- Bertolt Brecht
- defamiliarization
- Epic Theatre
- Jean-Luc Godard
- Rainer Werner Fassbinder
- Nagisa Oshima
- Lars von Trier
- Hal Hartley
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