Dick Hebdige
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| - | '''Richard "Dick" Hebdige''' (born 1951) is an expatriate British [[media theory|media theorist]] and [[sociologist]] most commonly associated with the study of [[subculture]]s, and its resistance against the [[mainstream]] of society. | + | '''Richard "Dick" Hebdige''' (born 1951) is an expatriate British [[media theory|media theorist]] and [[sociologist]] most commonly associated with the study of [[subculture]]s, and its resistance against the [[mainstream]] of society. His best-known work is ''[[Cut 'N' Mix]]'' (1987). |
| ==Life and career== | ==Life and career== | ||
| - | Hebdige received his [[Master's degree|M.A.]] from the [[Centre for Contemporary Cultural Studies]] in [[Birmingham]], [[United Kingdom]]. He is best known for his influential book in [[Subculture|subcultural]] studies, ''Subculture: The Meaning of Style'', originally published in 1979. He has been teaching in art schools since the mid-1970s. Having served as the Dean of Critical Studies and the Director of the experimental writing program at the [[California Institute of the Arts]] before going to the [[University of California, Santa Barbara]], where he is currently a professor of film and media studies and art. | + | Hebdige received his [[Master's degree|M.A.]] from the [[Centre for Contemporary Cultural Studies]] in [[Birmingham]], [[United Kingdom]]. He is best known for his influential book in [[Subculture|subcultural]] studies, ''[[Subculture: The Meaning of Style]]'', originally published in 1979. He has been teaching in art schools since the mid-1970s. Having served as the Dean of Critical Studies and the Director of the experimental writing program at the [[California Institute of the Arts]] before going to the [[University of California, Santa Barbara]], where he is currently a professor of film and media studies and art. |
| Hebdige's 1979 book ''[[Subculture: The Meaning of Style]]'' builds on earlier work at Birmingham on youth subcultures. But whereas much of this research was concerned with the relation between subcultures and social class in postwar Britain, Hebdige saw youth cultures in terms of a dialogue between Black and white youth. He argues that punk emerged as a mainly white style when Black youth became more separatist in the 1970s in response to discrimination in British society. Whereas previous research described a [[homology (sociology)|homology]] between the different aspects of a subcultural style (dress, hairstyle, music, drugs), Hebdige argues that punk in London in 1976-77 borrowed from all previous subcultures and its only homology was chaos. In making this argument he was drawing on the early work of [[Julia Kristeva]] who also found such subversion of meaning in French poets such as [[Stéphane Mallarmé|Mallarmé]] and [[Comte de Lautréamont|Lautréamont]]. | Hebdige's 1979 book ''[[Subculture: The Meaning of Style]]'' builds on earlier work at Birmingham on youth subcultures. But whereas much of this research was concerned with the relation between subcultures and social class in postwar Britain, Hebdige saw youth cultures in terms of a dialogue between Black and white youth. He argues that punk emerged as a mainly white style when Black youth became more separatist in the 1970s in response to discrimination in British society. Whereas previous research described a [[homology (sociology)|homology]] between the different aspects of a subcultural style (dress, hairstyle, music, drugs), Hebdige argues that punk in London in 1976-77 borrowed from all previous subcultures and its only homology was chaos. In making this argument he was drawing on the early work of [[Julia Kristeva]] who also found such subversion of meaning in French poets such as [[Stéphane Mallarmé|Mallarmé]] and [[Comte de Lautréamont|Lautréamont]]. | ||
| - | His 1979 book ''Subculture'' has been criticized for offering a [[semiotic]] reading of punk{{Citation needed|date=November 2007}} and adopting an omniscient position in relation to it. <!--need examples of criticism --> Dave Laing in ''One Chord Wonders'' (1985) provides more of a [[sociology]] of punk. For example he shows that many punk musicians actually came from middle-class families (43%) and that there was a strong influence of art school students. | + | His 1979 book ''Subculture'' has been criticized for offering a [[semiotic]] reading of punk and adopting an omniscient position in relation to it. <!--need examples of criticism --> Dave Laing in ''One Chord Wonders'' (1985) provides more of a [[sociology]] of punk. For example he shows that many punk musicians actually came from middle-class families (43%) and that there was a strong influence of art school students. |
| - | Hebdidge also wrote ''Cut 'n' Mix: Culture, Identity and Caribbean Music'' (1987) on Caribbean music and identity, and ''Hiding in the Light: On Images and Things'' (1988) a book of essays that includes some further thoughts about punk. | + | Hebdidge also wrote ''[[Cut 'n' Mix: Culture, Identity and Caribbean Music]]'' (1987) on Caribbean music and identity, and ''Hiding in the Light: On Images and Things'' (1988) a book of essays that includes some further thoughts about punk. |
| In 2008 he contributed a chapter to ''Sound Unbound: Sampling Digital Music and Culture'' edited by Paul D. Miller a.k.a. [[DJ Spooky]]. | In 2008 he contributed a chapter to ''Sound Unbound: Sampling Digital Music and Culture'' edited by Paul D. Miller a.k.a. [[DJ Spooky]]. | ||
Revision as of 08:33, 11 April 2014
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Richard "Dick" Hebdige (born 1951) is an expatriate British media theorist and sociologist most commonly associated with the study of subcultures, and its resistance against the mainstream of society. His best-known work is Cut 'N' Mix (1987).
Life and career
Hebdige received his M.A. from the Centre for Contemporary Cultural Studies in Birmingham, United Kingdom. He is best known for his influential book in subcultural studies, Subculture: The Meaning of Style, originally published in 1979. He has been teaching in art schools since the mid-1970s. Having served as the Dean of Critical Studies and the Director of the experimental writing program at the California Institute of the Arts before going to the University of California, Santa Barbara, where he is currently a professor of film and media studies and art.
Hebdige's 1979 book Subculture: The Meaning of Style builds on earlier work at Birmingham on youth subcultures. But whereas much of this research was concerned with the relation between subcultures and social class in postwar Britain, Hebdige saw youth cultures in terms of a dialogue between Black and white youth. He argues that punk emerged as a mainly white style when Black youth became more separatist in the 1970s in response to discrimination in British society. Whereas previous research described a homology between the different aspects of a subcultural style (dress, hairstyle, music, drugs), Hebdige argues that punk in London in 1976-77 borrowed from all previous subcultures and its only homology was chaos. In making this argument he was drawing on the early work of Julia Kristeva who also found such subversion of meaning in French poets such as Mallarmé and Lautréamont.
His 1979 book Subculture has been criticized for offering a semiotic reading of punk and adopting an omniscient position in relation to it. Dave Laing in One Chord Wonders (1985) provides more of a sociology of punk. For example he shows that many punk musicians actually came from middle-class families (43%) and that there was a strong influence of art school students.
Hebdidge also wrote Cut 'n' Mix: Culture, Identity and Caribbean Music (1987) on Caribbean music and identity, and Hiding in the Light: On Images and Things (1988) a book of essays that includes some further thoughts about punk.
In 2008 he contributed a chapter to Sound Unbound: Sampling Digital Music and Culture edited by Paul D. Miller a.k.a. DJ Spooky.
See also
- Cut 'N' Mix: Culture, Identity, and Caribbean Music (1987) - Dick Hebdige
