Diablerie
From The Art and Popular Culture Encyclopedia
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==Dioramas== | ==Dioramas== | ||
:''[[Les Diableries]]'' | :''[[Les Diableries]]'' | ||
- | The 1978 book ''[[Diableries : La Vie Quotidienne Chez Satan a la Fin du 19e Siecle]]'' documents certain [[diorama]]s within the genre. | + | '''''Les Diableries''''' is the title of a series of [[stereoscopy|stereoscopic]] [[photograph]]s published in [[Paris, France|Paris]] during the 1860s. The photographs, commonly known as stereoviews, portray [[sculpture|sculpted]] [[clay]] [[Vignette (model)|vignettes]] which depict scenes of daily life in [[Hell]]. Much of the subject matter was [[satire|satirical]] and mirrored the corruption and excess of Paris during the [[Second Empire (France)|Second Empire]]. [[Napoleon III]]’s [[authoritarian]] rule was repeatedly the subject of criticism, as was the [[decadent]] lifestyle of the [[bourgeoisie]]. |
== See also == | == See also == | ||
*''[[Les Diableries Erotiques]]'' by [[Eugène le Poitevin]] | *''[[Les Diableries Erotiques]]'' by [[Eugène le Poitevin]] |
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Diablerie (English: devilries) is a genre of French satire, often by extreme exaggeration. The term diablerie stems from diable, which is French for devil.
In graphic art
Eugène le Poitevin is famous for his Les Diableries Erotiques.
Paul Gavarni also produced 'Diableries' for La Caricature.
Dioramas
Les Diableries is the title of a series of stereoscopic photographs published in Paris during the 1860s. The photographs, commonly known as stereoviews, portray sculpted clay vignettes which depict scenes of daily life in Hell. Much of the subject matter was satirical and mirrored the corruption and excess of Paris during the Second Empire. Napoleon III’s authoritarian rule was repeatedly the subject of criticism, as was the decadent lifestyle of the bourgeoisie.
See also
- Les Diableries Erotiques by Eugène le Poitevin
- Diabolico foutro manie is a series of lithographs by Achille Devéria
- Singerie
- Le livre de la deablerie
- The devil in popular culture