Social degeneration  

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Nazi Germany disapproved of contemporary German art movements such as Expressionism and Dada and on July 19, 1937 it opened the Degenerate art travelling exhibition in the Haus der Kunst in Munich, consisting of modernist artworks chaotically hung and accompanied by text labels deriding the art, to inflame public opinion against modernity.

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This article deals with the social-philosophical meaning of degeneration. For other meanings associated with degeneration, please see degeneracy and degenerate art and degenerate music.

The idea of degeneration had a significant influence on science, art and politics from the 1850s to the 1950s. The social theory developed consequently from Charles Darwin's Theory of Evolution. Evolution meant that mankind's development was no longer fixed and certain, but could change and evolve or degenerate into an unknown future, possibly a bleak future that clashes with the analogy between evolution and civilization as a progressive positive direction. As a consequence theorist assumed the human species might be overtaken by a more adaptable species or circumstances might change and suit a more adapted species. Degeneration theory presented a pessimistic outlook for the future of western civilization as it believed the progress of the 19th century had begun to work against itself. In 1890 those most concerned by degeneration were progressives unlike the conservatives defenders of the status quo.

Georges-Louis Leclerc, Comte de Buffon (1707-1788) was the first to define "degeneration" as a theory of nature. Buffon incorrectly argued that entire species "degenerated" becoming sterile, weaker, or smaller due to harsh climates. By 1890 there was a growing fear of degeneration sweeping across Europe creating disorders that led to poverty, crime, alcoholism, moral perversion and political violence. Degeneration raised the possibility that Europe may be creating a class of degenerate people who may attack the social norms, this led to support for a strong state which polices degenerates out of existence with the assistance of scientific identification.

In the 1850s French doctor Bénédict Morel argued more vigorously that certain groups of people were degenerating, going backwards in terms of evolution so each generation became weaker and weaker. This was based on pre-Darwinian ideas of evolution, especially those of Jean-Baptiste Lamarck, who argued that acquired characteristics like drug abuse and sexual perversions, could be inherited. This is not true, though genetic predispositions have been observed for alcoholism and criminality.

Max Nordau's 1892 bestseller Degeneration attempted to explain all modern art, music and literature by pointing out the degenerate characteristics of the artists involved. In this fashion a whole biological explanation for social problems was developed.

The first scientific criminologist Cesare Lombroso working in the 1880's believed he found evidence of degeneration by studying the corpses of criminals. After completing an autopsy on murderer Villela he found the indentation where the spine meets the neck to be a signal of degeneration and subsequent criminality. Lombroso was convinced he had found the key to degeneration that had concerned liberal circles.

In the twentieth century, eradicating "degeneration" became a justification for various eugenic programs, mostly in Europe and the United States. Eugenicists adopted the concept, using it to justify the sterilization of the supposedly unfit. The Nazis took up these eugenic efforts as well, including extermination, for those who would corrupt future generations. They also used the concept in art, banning "degenerate" (entartete) art and music: see degenerate art.

For further information, see Daniel Pick's book Degeneration, or the work of Sander Gilman.

See also

• Dysgenics
• Societal collapse
• Degeneration (1892) by Max Nordau