De Stijl
From The Art and Popular Culture Encyclopedia
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| - | '''De Stijl''' after ''style''; from the [[Dutch language|Dutch]] for "the style" – also known as '''neoplasticism''', was a [[Dutch avant-garde]] [[art movement]], founded in [[1917]]. In a narrower sense, the term ''De Stijl'' is used to refer to a body of work created by a group of Dutch artists, from [[1917]] to [[1931]]. | + | '''De Stijl''' after ''style''; from the [[Dutch language|Dutch]] for "the style" – also known as '''neoplasticism''', was a [[Dutch avant-garde]] [[art movement]], founded in [[1917]]. In a narrower sense, the term ''De Stijl'' is used to refer to a body of work created by a group of [[Dutch avant-garde]] artists, from [[1917]] to [[1931]]. |
| ''De Stijl'' is also the name of a journal which was published by the painter and critic [[Theo van Doesburg]], propagating the group's theories. Next to Van Doesburg, the group's principal members were the painters [[Piet Mondrian]] and [[Bart van der Leck]], and the architects [[Gerrit Rietveld]] and [[J.J.P. Oud]]. The artistic [[philosophy]] that formed a basis for the group's work is known as ''neoplasticism'' — the new plastic art (or ''Nieuwe Beelding'' in Dutch). | ''De Stijl'' is also the name of a journal which was published by the painter and critic [[Theo van Doesburg]], propagating the group's theories. Next to Van Doesburg, the group's principal members were the painters [[Piet Mondrian]] and [[Bart van der Leck]], and the architects [[Gerrit Rietveld]] and [[J.J.P. Oud]]. The artistic [[philosophy]] that formed a basis for the group's work is known as ''neoplasticism'' — the new plastic art (or ''Nieuwe Beelding'' in Dutch). | ||
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| Proponents of De Stijl sought to express a new [[Utopia|utopian]] ideal of spiritual harmony and order. They advocated pure [[abstract art|abstraction]] and universality by a reduction to the essentials of [[form]] and [[colour]] — they simplified visual compositions to the vertical and horizontal directions, and used only [[primary colors]] along with [[black]] and [[white]]. | Proponents of De Stijl sought to express a new [[Utopia|utopian]] ideal of spiritual harmony and order. They advocated pure [[abstract art|abstraction]] and universality by a reduction to the essentials of [[form]] and [[colour]] — they simplified visual compositions to the vertical and horizontal directions, and used only [[primary colors]] along with [[black]] and [[white]]. | ||
| == See also== | == See also== | ||
| - | * [[Abstract art|Abstract Art]] | + | * [[Abstract art]] |
| - | + | * [[Concrete art]] | |
| + | * [[Constructivism (art)]] | ||
| + | * [[Fourth dimension in art]] | ||
| + | * [[Rietveld Schröder House]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 16:17, 25 June 2014
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De Stijl after style; from the Dutch for "the style" – also known as neoplasticism, was a Dutch avant-garde art movement, founded in 1917. In a narrower sense, the term De Stijl is used to refer to a body of work created by a group of Dutch avant-garde artists, from 1917 to 1931.
De Stijl is also the name of a journal which was published by the painter and critic Theo van Doesburg, propagating the group's theories. Next to Van Doesburg, the group's principal members were the painters Piet Mondrian and Bart van der Leck, and the architects Gerrit Rietveld and J.J.P. Oud. The artistic philosophy that formed a basis for the group's work is known as neoplasticism — the new plastic art (or Nieuwe Beelding in Dutch).
Proponents of De Stijl sought to express a new utopian ideal of spiritual harmony and order. They advocated pure abstraction and universality by a reduction to the essentials of form and colour — they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white.
See also
