Dada
From The Art and Popular Culture Encyclopedia
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| Dada activities included public gatherings, demonstrations, and publication of art/literary journals. Passionate coverage of art, politics, and culture filled their publications. The movement influenced later styles, movements, and groups including [[Surrealism]], [[Pop Art]] and [[Fluxus]]. | Dada activities included public gatherings, demonstrations, and publication of art/literary journals. Passionate coverage of art, politics, and culture filled their publications. The movement influenced later styles, movements, and groups including [[Surrealism]], [[Pop Art]] and [[Fluxus]]. | ||
| == See also == | == See also == | ||
| + | *[[Holland Dada]] | ||
| *[[Dada in Paris]] | *[[Dada in Paris]] | ||
| *[[New York Dada]] | *[[New York Dada]] | ||
| *[[Neo-Dada]] | *[[Neo-Dada]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 13:41, 3 April 2008
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Dada or Dadaism is a cultural movement that began in neutral Zürich, Switzerland, during World War I and peaked from 1916 to 1920. The movement primarily involved visual arts, literature (poetry, art manifestoes, art theory), theatre, and graphic design, and concentrated its anti war politic through a rejection of the prevailing standards in art through anti-art cultural works. The movement was further characterized by nihilism, deliberate irrationality, disillusionment, cynicism, chance, randomness, and the rejection of the prevailing standards in art.
Dada activities included public gatherings, demonstrations, and publication of art/literary journals. Passionate coverage of art, politics, and culture filled their publications. The movement influenced later styles, movements, and groups including Surrealism, Pop Art and Fluxus.
See also
