Cubism and Abstract Art  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 07:13, 22 September 2019
Jahsonic (Talk | contribs)

← Previous diff
Current revision
Jahsonic (Talk | contribs)

Line 1: Line 1:
{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
| style="text-align: left;" | | style="text-align: left;" |
-"At the risk of grave oversimplification the impulse towards [[abstract art]] during the past fifty years may be divided historically into two main currents, both of which emerged from Impressionism. The first and more important current finds its sources in the art and theories of Cezanne and Seurat, passes through the widening stream of Cubism and finds its delta in the various geometrical and Constructivist movements which developed in Russia and Holland during the War and have since spread throughout the World. This current may be described as intellectual, structural, architectonic, geometrical, rectilinear and classical in its austerity and dependence upon logic and calculation. The second—and, until recently, secondary— current has its principal source in the art and theories of Gauguin and his circle, flows through the ''Fauvisme'' of Matisse to the Abstract Expressionism of the pre-War paintings of Kandinskv. After running under ground for a few years it reappears vigorously among the masters of abstract art associated with Surrealism. This tradition, by contrast with the first, is intuitional and emotional rather than intellectual; organic or [[biomorphism|biomorphic]] rather than geometrical in its forms; curvilinear rather than rectilinear, decorative rather than structural, and romantic rather than classical in its exaltation of the mystical, the spontaneous and the irrational. Apollo, Pythagoras and Descartes watch over the Cezanne-Cubist geometrical tradition; Dionysus (an Asiatic god), Plotinus and Rousseau over the Gauguin-Expressionist-non-geometrical line." --''[[Cubism and Abstract Art]]'' (1936) by Alfred H. Barr, Jr., page 19+"At the risk of grave oversimplification the impulse towards [[abstract art]] during the past fifty years may be divided historically into two main currents, both of which emerged from [[Impressionism]]. The first and more important current finds its sources in the art and theories of [[Cezanne]] and [[Seurat]], passes through the widening stream of [[Cubism]] and finds its delta in the various geometrical and [[Constructivist]] movements which developed in Russia and Holland during the War and have since spread throughout the World. This current may be described as intellectual, structural, architectonic, geometrical, rectilinear and classical in its austerity and dependence upon logic and calculation. The second—and, until recently, secondary— current has its principal source in the art and theories of [[Gauguin]] and his circle, flows through the ''[[Fauvisme]]'' of [[Matisse]] to the Abstract Expressionism of the pre-War paintings of [[Kandinsky]]. After running under ground for a few years it reappears vigorously among the masters of abstract art associated with Surrealism. This tradition, by contrast with the first, is intuitional and emotional rather than intellectual; organic or [[biomorphism|biomorphic]] rather than geometrical in its forms; curvilinear rather than rectilinear, decorative rather than structural, and romantic rather than classical in its exaltation of the mystical, the spontaneous and the irrational. [[Apollo]], [[Pythagoras]] and [[Descartes]] watch over the Cezanne-Cubist geometrical tradition; [[Dionysus]] (an Asiatic god), [[Plotinus]] and [[Rousseau]] over the Gauguin-Expressionist-non-geometrical line." --''[[Cubism and Abstract Art]]'' (1936) by Alfred H. Barr, Jr., page 19
|} |}
{{Template}} {{Template}}
-''[[Cubism and Abstract Art]]'' was a 1936 exhibition curated by [[Alfred H. Barr, Jr.]]. The catalogue to this exhibition promulgated the term [[biomorphism]].+''[[Cubism and Abstract Art]]'' was a 1936 exhibition curated by [[Alfred H. Barr Jr.]]. The catalogue to this exhibition promulgated the term [[biomorphism]].

Current revision

"At the risk of grave oversimplification the impulse towards abstract art during the past fifty years may be divided historically into two main currents, both of which emerged from Impressionism. The first and more important current finds its sources in the art and theories of Cezanne and Seurat, passes through the widening stream of Cubism and finds its delta in the various geometrical and Constructivist movements which developed in Russia and Holland during the War and have since spread throughout the World. This current may be described as intellectual, structural, architectonic, geometrical, rectilinear and classical in its austerity and dependence upon logic and calculation. The second—and, until recently, secondary— current has its principal source in the art and theories of Gauguin and his circle, flows through the Fauvisme of Matisse to the Abstract Expressionism of the pre-War paintings of Kandinsky. After running under ground for a few years it reappears vigorously among the masters of abstract art associated with Surrealism. This tradition, by contrast with the first, is intuitional and emotional rather than intellectual; organic or biomorphic rather than geometrical in its forms; curvilinear rather than rectilinear, decorative rather than structural, and romantic rather than classical in its exaltation of the mystical, the spontaneous and the irrational. Apollo, Pythagoras and Descartes watch over the Cezanne-Cubist geometrical tradition; Dionysus (an Asiatic god), Plotinus and Rousseau over the Gauguin-Expressionist-non-geometrical line." --Cubism and Abstract Art (1936) by Alfred H. Barr, Jr., page 19

Related e

Wikipedia
Wiktionary
Shop


Featured:

Cubism and Abstract Art was a 1936 exhibition curated by Alfred H. Barr Jr.. The catalogue to this exhibition promulgated the term biomorphism.



See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cubism and Abstract Art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools