Comment on England
From The Art and Popular Culture Encyclopedia
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| "'''Comment on England''' (1935) is an essay by [[Geoffrey Grigson]] first published in the first issue of [[Axis (magazine)|Axis]][https://monoskop.org/images/d/d3/Axis_1_Jan_1935.pdf]. The essay features an early use of the term ''[[biomorphism]]''. | "'''Comment on England''' (1935) is an essay by [[Geoffrey Grigson]] first published in the first issue of [[Axis (magazine)|Axis]][https://monoskop.org/images/d/d3/Axis_1_Jan_1935.pdf]. The essay features an early use of the term ''[[biomorphism]]''. | ||
| - | :"with their enlarged knowledge of the widened country of self. Certain artists have realised this in their practice ; abroad Picasso, Brancusi, Klee, Miro, Hélion ; in England Wyndham Lewis and Henry Moore. Abstractions are of two kinds, geometric, the abstractions which lead to the inevitable death ; and ''[[biomorphic]]''." | + | :"with their enlarged knowledge of the widened country of self. Certain artists have realised this in their practice ; abroad Picasso, Brancusi, Klee, Miro, Hélion ; in England Wyndham Lewis and Henry Moore. Abstractions are of two kinds, geometric, the abstractions which lead to the inevitable death ; and [[biomorphic]]." |
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"Comment on England (1935) is an essay by Geoffrey Grigson first published in the first issue of Axis[1]. The essay features an early use of the term biomorphism.
- "with their enlarged knowledge of the widened country of self. Certain artists have realised this in their practice ; abroad Picasso, Brancusi, Klee, Miro, Hélion ; in England Wyndham Lewis and Henry Moore. Abstractions are of two kinds, geometric, the abstractions which lead to the inevitable death ; and biomorphic."
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