Coming Apart (film)
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| ''Coming Apart'' strongly reminds of another [[zeitgeist]]-reflecting film concerned with [[male angst]] and the [[war of the sexes]]: ''[[La Maman et la Putain]]''. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration ([[long take]]s, [[static camera]]) to cinematically fetishize reality. | ''Coming Apart'' strongly reminds of another [[zeitgeist]]-reflecting film concerned with [[male angst]] and the [[war of the sexes]]: ''[[La Maman et la Putain]]''. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration ([[long take]]s, [[static camera]]) to cinematically fetishize reality. | ||
| - | One of the most memorable scenes reminds of ''[[It is not four years ago]]'', a poem by [[John Suckling]]. | + | One of the most memorable scenes where a young pregnant mother visits the protagonist psychiatrist ("it's worth a million dollars to me") reminds of ''[[It is not four years ago]]'', a poem by [[John Suckling]]. |
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Coming Apart is a 1969 American film directed by Milton Moses Ginsberg
Coming Apart strongly reminds of another zeitgeist-reflecting film concerned with male angst and the war of the sexes: La Maman et la Putain. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration (long takes, static camera) to cinematically fetishize reality.
One of the most memorable scenes where a young pregnant mother visits the protagonist psychiatrist ("it's worth a million dollars to me") reminds of It is not four years ago, a poem by John Suckling.
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