Coming Apart (film)
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| '''''Coming Apart''''' is a 1969 American film directed by [[Milton Moses Ginsberg]] | '''''Coming Apart''''' is a 1969 American film directed by [[Milton Moses Ginsberg]] | ||
| - | ''Coming Apart'' strongly reminds of another [[zeitgeist]]-reflecting film concerned with [[male angst]] and the [[war of the sexes]]: ''[[La Maman et la Putain]]''. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration ([[long take]]s, [[static camera]]) to cinematically fetishize reality. [Aug 2006] | + | ''Coming Apart'' strongly reminds of another [[zeitgeist]]-reflecting film concerned with [[male angst]] and the [[war of the sexes]]: ''[[La Maman et la Putain]]''. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration ([[long take]]s, [[static camera]]) to cinematically fetishize reality. |
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| + | One of the most memorable scenes reminds of a poem by [[John Suckling]]. | ||
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Coming Apart is a 1969 American film directed by Milton Moses Ginsberg
Coming Apart strongly reminds of another zeitgeist-reflecting film concerned with male angst and the war of the sexes: La Maman et la Putain. Three years before Jean Eustache's masterpiece/oddity, Ginsberg already has a very 'literary' approach to capture 'the real' and proposes duration (long takes, static camera) to cinematically fetishize reality.
One of the most memorable scenes reminds of a poem by John Suckling.
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