Cluster theory of art  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 21:02, 17 April 2018
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 21:03, 17 April 2018
Jahsonic (Talk | contribs)

Next diff →
Line 8: Line 8:
[[“Art” as a Cluster Concept]]" (2000) by [[Berys Gaut]] is a recent essay to popularize the [[anti-essentialism|anti-essentialist]] tendencies in the [[philosophy of art]]. [[Cluster]] concepts are composed of [[criteria]] that contribute to art status but are not individually necessary for art status. [[“Art” as a Cluster Concept]]" (2000) by [[Berys Gaut]] is a recent essay to popularize the [[anti-essentialism|anti-essentialist]] tendencies in the [[philosophy of art]]. [[Cluster]] concepts are composed of [[criteria]] that contribute to art status but are not individually necessary for art status.
 +
 +Gaut's theory was criticized by [[Stephen Davies (philosopher)|Stephen Davies]] in "[[The Cluster Theory of Art]]" (2004).
Another cluster theory is [[Denis Dutton's Aesthetic Universals]]. Another cluster theory is [[Denis Dutton's Aesthetic Universals]].

Revision as of 21:03, 17 April 2018

"Gaut does not acknowledge other versions of the cluster theory, but there have been several. E. J. Bond (1975) observes that a set of conditions may be sufficient for something's being art though no single member of the set is either necessary or sufficient. Milton H. Snoeyenbos (1978) argues that "art" may be used on the basis of a disjunctive set of merely sufficient conditions. Ellen Dissanayake observes that one method of definition has been to compile a number of attributes of art; ..." --"The Cluster Theory of Art" (2004) by Stephen Davies

Related e

Wikipedia
Wiktionary
Shop


Featured:

A cluster theory of art is an anti-essentialist way of defining art by producing lists of necessary conditions of qualities that make a work of art. A combination of these necessary conditions makes a sufficient condition.

“Art” as a Cluster Concept" (2000) by Berys Gaut is a recent essay to popularize the anti-essentialist tendencies in the philosophy of art. Cluster concepts are composed of criteria that contribute to art status but are not individually necessary for art status.

Gaut's theory was criticized by Stephen Davies in "The Cluster Theory of Art" (2004).

Another cluster theory is Denis Dutton's Aesthetic Universals.

In "The Cluster Account of Art: A Historical Dilemma" (2014), Simon Fokt accuses the cluster concept of art of ahistoricism.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cluster theory of art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools