Claude Debussy  

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 +"One of the earliest examples of [[crossover music]] is the music of French composer [[Claude Debussy]]. In [[1889]] the French government staged the great [[Exposition Universelle (1889)|Paris Exposition]], an event that was to have profound effects on many areas of western art and music. Debussy visited the exposition and it was here that he first heard [[gamelan]] music performed by [[Sunda]]nese musicians. He was transfixed by the hypnotic, layered sound of the gamelan orchestra and reportedly returned to the [[Dutch East Indies]] pavilion over several days to listen to the [[Indonesian music]]ians perform and to study the structure and tuning of this novel musical form. His exposure to gamelan music had a direct influence on the composition of his famous ''[[Nocturnes (Debussy)|Nocturnes]]'' for [[orchestra]]. "--Sholem Stein
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-'''Achille-Claude Debussy''' ([[August 22]], [[1862]] – [[March 25]], [[1918]]) was a [[France|French]] [[composer]]. Along with [[Maurice Ravel]] he is considered the most prominent figure working within the style commonly referred to as [[Impressionist music]], though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also a central figure in all European music at the turn of the twentieth century. His music virtually defines the transition from late-[[Romantic music]] to twentieth century [[Modernism (music)|modernist music]]. In French literary circles, the style of this period was known as [[Symbolism (arts)|Symbolism]], a movement that directly inspired Debussy both as a composer and as an active cultural participant.+'''Achille-Claude Debussy''' ([[August 22]], [[1862]] – [[March 25]], [[1918]]) was a [[France|French]] [[composer]] best remembered for ''[[Prélude à l'après-midi d'un faune]]'' inspired by the poem ''[[Afternoon of a Faun (poem)|L'Après-midi d'un faune]]'' by [[Stéphane Mallarmé]].
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 +== Overview ==
 + 
 +Along with [[Maurice Ravel]] he is considered the most prominent figure working within the style commonly referred to as [[Impressionist music]], though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also a central figure in all European music at the turn of the twentieth century. His music virtually defines the transition from late-[[Romantic music]] to twentieth century [[Modernism (music)|modernist music]]. In French literary circles, the style of this period was known as [[Symbolism (arts)|Symbolism]], a movement that directly inspired Debussy both as a composer and as an active cultural participant.
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Revision as of 17:39, 5 December 2019

"One of the earliest examples of crossover music is the music of French composer Claude Debussy. In 1889 the French government staged the great Paris Exposition, an event that was to have profound effects on many areas of western art and music. Debussy visited the exposition and it was here that he first heard gamelan music performed by Sundanese musicians. He was transfixed by the hypnotic, layered sound of the gamelan orchestra and reportedly returned to the Dutch East Indies pavilion over several days to listen to the Indonesian musicians perform and to study the structure and tuning of this novel musical form. His exposure to gamelan music had a direct influence on the composition of his famous Nocturnes for orchestra. "--Sholem Stein

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Achille-Claude Debussy (August 22, 1862March 25, 1918) was a French composer best remembered for Prélude à l'après-midi d'un faune inspired by the poem L'Après-midi d'un faune by Stéphane Mallarmé.

Overview

Along with Maurice Ravel he is considered the most prominent figure working within the style commonly referred to as Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also a central figure in all European music at the turn of the twentieth century. His music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.



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