Cinema of the United States  

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 +[[Image:Hollywood.jpg|thumb|right|200px|[[Hollywood]] is iconic for [[modern mythology]]]]
[[Image:The Raven.jpg|thumb|right|200px|In 1963, [[Roger Corman]] directed ''[[The Raven (1963 film)|The Raven]]'', a [[horror-comedy]] written by [[Richard Matheson]] very loosely based on the poem, "[[The Raven]]" by [[Edgar Allan Poe]]. It stars [[Vincent Price]], [[Peter Lorre]], and [[Boris Karloff]] as a trio of rival [[Magic (paranormal)|sorcerers]].]] [[Image:The Raven.jpg|thumb|right|200px|In 1963, [[Roger Corman]] directed ''[[The Raven (1963 film)|The Raven]]'', a [[horror-comedy]] written by [[Richard Matheson]] very loosely based on the poem, "[[The Raven]]" by [[Edgar Allan Poe]]. It stars [[Vincent Price]], [[Peter Lorre]], and [[Boris Karloff]] as a trio of rival [[Magic (paranormal)|sorcerers]].]]
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Revision as of 19:37, 25 May 2013

In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.
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In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.

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In many ways Roger Corman is to American cinema what Jess Franco is to European cinema. They both directed low budget, B movie style films that attracted minority cultures in the United States and Europe respectively. --Sholem Stein

Hollywood is practicaly metonymous with the Cinema of the United States. This was perhaps different in the Pre-Code era, and certainly different after the 1948 Hollywood Antitrust Case led to the break-up of the Hollywood studio system and the development of arthouse and grindhouse movie theatres.

Rise of the home video market

The 1980s and 1990s saw another significant development. The full acceptance of home video by studios opened a vast new business to exploit. Films such as The Secret of NIMH and The Shawshank Redemption, which performed poorly in their theatrical run, were now able to find success in the video market. It also saw the first generation of film makers with access to video tapes emerge. Directors such as Quentin Tarantino and P.T. Anderson had been able to view thousands of films and produced films with vast numbers of references and connections to previous works. This, along with the explosion of independent film and ever-decreasing costs for filmmaking, changed the landscape of American movie-making once again, and led a renaissance of filmmaking among Hollywood's lower and middle-classes—those without access to studio financial resources.

With the rise of the DVD in the 21st century, DVDs have quickly become even more profitable to studios and have led to an explosion of packaging extra scenes, extended versions, and commentary tracks with the films.

Research interests

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cinema of the United States" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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