Cinema of France  

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:''[[French contemporary cinema]], [[history of French cinema]], [[Nouvelle Vague]]'' :''[[French contemporary cinema]], [[history of French cinema]], [[Nouvelle Vague]]''
-:Titles: [[Fantômas]] (1913 - 1914) - [[And God Created Woman]] (1956) - [[Eyes without a Face]] (1959) - [[Jules and Jim]] (1962) - [[Barbarella]] (1968) - [[La Prisonnière]] (1968) - [[Emmanuelle]] (1974) - [[Going Places]] (1974) - [[The Story of O]] (1975) - [[Pussy Talk]] (1975) - [[Je t'aime moi non plus]] (1976) - [[Betty Blue]] (1986) - [[Irma Vep]] (1996) - [[Sitcom]] (1998) - [[Seul contre tous]] (1998) - [[Amélie]] (2001) - [[Irréversible]] (2002)+:Titles: ''[[Le Voyage dans la Lune|A Trip to the Moon]]'' ([[1902]]) - [[Fantômas]] (1913 - 1914) - [[And God Created Woman]] (1956) - [[Eyes without a Face]] (1959) - [[Jules and Jim]] (1962) - [[Barbarella]] (1968) - [[La Prisonnière]] (1968) - [[Emmanuelle]] (1974) - [[Going Places]] (1974) - [[The Story of O]] (1975) - [[Pussy Talk]] (1975) - [[Je t'aime moi non plus]] (1976) - [[Betty Blue]] (1986) - [[Irma Vep]] (1996) - [[Sitcom]] (1998) - [[Seul contre tous]] (1998) - [[Amélie]] (2001) - [[Irréversible]] (2002)
The art of [[film]]making within the nation of [[France]] or by French filmmakers abroad is collectively known as '''French cinema'''. The art of [[film]]making within the nation of [[France]] or by French filmmakers abroad is collectively known as '''French cinema'''.

Revision as of 22:48, 4 November 2008

 L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
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L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.

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French contemporary cinema, history of French cinema, Nouvelle Vague
Titles: A Trip to the Moon (1902) - Fantômas (1913 - 1914) - And God Created Woman (1956) - Eyes without a Face (1959) - Jules and Jim (1962) - Barbarella (1968) - La Prisonnière (1968) - Emmanuelle (1974) - Going Places (1974) - The Story of O (1975) - Pussy Talk (1975) - Je t'aime moi non plus (1976) - Betty Blue (1986) - Irma Vep (1996) - Sitcom (1998) - Seul contre tous (1998) - Amélie (2001) - Irréversible (2002)

The art of filmmaking within the nation of France or by French filmmakers abroad is collectively known as French cinema.

Context

France, especially Paris, has long been a gathering spot for artists from across Europe and the world. For this reason French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Krzysztof Kieslowski, Andrzej Żuławski), Argentina (Gaspar Noe, Edgardo Cozarinsky), and the Soviet Union (Alexandre Alexeieff, Anatole Litvak, Gela Babluani) are equally prominent in the ranks of French cinema as the native Frenchmen.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cinema of France" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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