Cinema 2: The Time-Image  

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Cinema 1: The Movement-Image

Cinema 2: The Time-Image (French: Cinéma II: L'image-temps) is a film theory book by the philosopher Gilles Deleuze combining philosophy with film criticism.


First Sentence:
Bergson does not just put forward one thesis on movement, but three.
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Actors Studio, Battleship Potemkin, German Expressionism, Joan of Arc, Creative Evolution, Buster Keaton, New York, The General Line, Jean Mitry, King Vidor, Liberty Valance, Queen Kelly, The Exterminating Angel, Murnau's Faust, Murnau's The Last Laugh, Public Opinion, Rear Window, The Golden Age, Don Giovanni, Dos Passos, Gance's La Roue, Jack the Ripper, Land of the Pharaohs, Moral Tales, Shanghai Express




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cinema 2: The Time-Image" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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