Cinema 2: The Time-Image
From The Art and Popular Culture Encyclopedia
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Cinema 2: The Time-Image (French: Cinéma II: L'image-temps) is a film theory book by the philosopher Gilles Deleuze combining philosophy with film criticism.
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Found images: thoughts on internet archeology. See archive.org.
- First Sentence:
- Bergson does not just put forward one thesis on movement, but three.
- Key Phrases - Capitalized Phrases (CAPs): (learn more)
- Actors Studio, Battleship Potemkin, German Expressionism, Joan of Arc, Creative Evolution, Buster Keaton, New York, The General Line, Jean Mitry, King Vidor, Liberty Valance, Queen Kelly, The Exterminating Angel, Murnau's Faust, Murnau's The Last Laugh, Public Opinion, Rear Window, The Golden Age, Don Giovanni, Dos Passos, Gance's La Roue, Jack the Ripper, Land of the Pharaohs, Moral Tales, Shanghai Express
Gilles Deleuze's Cinema 2
- First Sentence:
- Against those who defined Italian neo-realism by its social content, Bazin put forward the fundamental requirement of formal aesthetic criteria.
- Key Phrases - Capitalized Phrases (CAPs):
- Marguerite Duras, Last Year, Citizen Kane, First Name Carmen, Jerry Lewis, The Man Who Lies, Van Gogh, Della Nube, The Trial, Battleship Potemkin, Jean-Louis Schefer, Lola Montez, Michel Chion, The General Line, Three Things, Three Wives, Touch of Evil, Anna Magdalena, Buster Keaton, Fortini/Cani, Space Odyssey, The Barefoot Contessa, The Leopard, Brice Parain, Carmelo Bene
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