Cinema 2: The Time-Image
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 15:36, 25 October 2008 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 01:19, 16 November 2008 Jahsonic (Talk | contribs) (Time-image moved to Cinema 2: The Time-Image) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| - | :''[[Cinema 1: The Movement Image|Cinema 1: The Movement-Image]]'' | + | :''[[Gilles Deleuze on film]]'' |
| '''''Cinema 2: The Time-Image''''' (French: ''Cinéma II: L'image-temps'') is a [[film theory]] book by the philosopher [[Gilles Deleuze]] combining philosophy with film criticism. | '''''Cinema 2: The Time-Image''''' (French: ''Cinéma II: L'image-temps'') is a [[film theory]] book by the philosopher [[Gilles Deleuze]] combining philosophy with film criticism. | ||
| + | |||
| + | Gilles Deleuze's ''[[Cinema 2]]'' | ||
| :First Sentence: | :First Sentence: | ||
| - | ::[[Bergson]] does not just put forward one thesis on movement, but three. | + | ::Against those who defined [[Italian neo-realism]] by its [[social content]], [[Bazin]] put forward the fundamental requirement of formal [[aesthetic]] criteria. |
| - | :Key Phrases - Capitalized Phrases (CAPs): (learn more) | + | :Key Phrases - Capitalized Phrases (CAPs): |
| - | ::[[Actors Studio]], [[Battleship Potemkin]], [[German Expressionism]], [[Joan of Arc]], [[Creative Evolution]], [[Buster Keaton]], [[New York]], [[The General Line]], [[Jean Mitry]], [[King Vidor]], [[Liberty Valance]], [[Queen Kelly]], [[The Exterminating Angel]], [[Murnau]]'s [[Faust]], [[Murnau]]'s [[The Last Laugh]], [[Public Opinion]], [[Rear Window]], [[The Golden Age]], [[Don Giovanni]], [[Dos Passos]], [[Gance]]'s [[La Roue]], [[Jack the Ripper]], [[Land of the Pharaohs]], [[Moral Tales]], [[Shanghai Express]] | + | ::[[Marguerite Duras]], [[Last Year]], [[Citizen Kane]], [[First Name Carmen]], [[Jerry Lewis]], [[The Man Who Lies]], [[Van Gogh]], [[Della Nube]], [[The Trial]], [[Battleship Potemkin]], [[Jean-Louis Schefer]], [[Lola Montez]], [[Michel Chion]], [[The General Line]], [[Three Things]], [[Three Wives]], [[Touch of Evil]], [[Anna Magdalena]], [[Buster Keaton]], [[Fortini/Cani]], [[Space Odyssey]], [[The Barefoot Contessa]], [[The Leopard]], [[Brice Parain]], [[Carmelo Bene]]{{GFDL}} |
| - | {{GFDL}} | + | |
Revision as of 01:19, 16 November 2008
|
Related e |
|
Featured: |
Cinema 2: The Time-Image (French: Cinéma II: L'image-temps) is a film theory book by the philosopher Gilles Deleuze combining philosophy with film criticism.
Gilles Deleuze's Cinema 2
- First Sentence:
- Against those who defined Italian neo-realism by its social content, Bazin put forward the fundamental requirement of formal aesthetic criteria.
- Key Phrases - Capitalized Phrases (CAPs):
- Marguerite Duras, Last Year, Citizen Kane, First Name Carmen, Jerry Lewis, The Man Who Lies, Van Gogh, Della Nube, The Trial, Battleship Potemkin, Jean-Louis Schefer, Lola Montez, Michel Chion, The General Line, Three Things, Three Wives, Touch of Evil, Anna Magdalena, Buster Keaton, Fortini/Cani, Space Odyssey, The Barefoot Contessa, The Leopard, Brice Parain, Carmelo Bene
- Marguerite Duras, Last Year, Citizen Kane, First Name Carmen, Jerry Lewis, The Man Who Lies, Van Gogh, Della Nube, The Trial, Battleship Potemkin, Jean-Louis Schefer, Lola Montez, Michel Chion, The General Line, Three Things, Three Wives, Touch of Evil, Anna Magdalena, Buster Keaton, Fortini/Cani, Space Odyssey, The Barefoot Contessa, The Leopard, Brice Parain, Carmelo Bene
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cinema 2: The Time-Image" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
