Antichita Romanae  

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-[[Image:Antichità Romane.jpg|thumb|right|200px|''[[Antichita Romanae]]'' ([[1748]]) by [[Giovanni Battista Piranesi|Piranesi]]]]+[[Image:Antichità Romane.jpg|thumb|right|200px|The late [[Baroque]] works of [[Claude Lorrain]] and [[Salvatore Rosa]] had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. [[Piranesi]]'s reproductions (see right) of real and [[fictitious]] [[Roman Empire|Roman]] ruins were a strong influence on [[Neoclassicism]]. ]]
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''[[Antichita Romanae]]'' ([[1748]]) is a series of prints by [[Giovanni Battista Piranesi|Piranesi]] of real and [[fictitious]] [[Roman Empire|Roman]] ruins, inspired by the late [[Baroque]] works of [[Claude Lorrain]] and [[Salvatore Rosa]] who had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. [[Piranesi]]'s reproductions (see right) were a strong influence on [[Neoclassicism]]. ''[[Antichita Romanae]]'' ([[1748]]) is a series of prints by [[Giovanni Battista Piranesi|Piranesi]] of real and [[fictitious]] [[Roman Empire|Roman]] ruins, inspired by the late [[Baroque]] works of [[Claude Lorrain]] and [[Salvatore Rosa]] who had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. [[Piranesi]]'s reproductions (see right) were a strong influence on [[Neoclassicism]].

Revision as of 10:57, 17 July 2009

The late Baroque works of Claude Lorrain and Salvatore Rosa had featured romantic and fantastic depictions of ruins; in part as a memento mori or as a reminiscence of a golden age of architecture. Piranesi's reproductions (see right) of real and fictitious Roman ruins were a strong influence on Neoclassicism.
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The late Baroque works of Claude Lorrain and Salvatore Rosa had featured romantic and fantastic depictions of ruins; in part as a memento mori or as a reminiscence of a golden age of architecture. Piranesi's reproductions (see right) of real and fictitious Roman ruins were a strong influence on Neoclassicism.

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Antichita Romanae (1748) is a series of prints by Piranesi of real and fictitious Roman ruins, inspired by the late Baroque works of Claude Lorrain and Salvatore Rosa who had featured romantic and fantastic depictions of ruins; in part as a memento mori or as a reminiscence of a golden age of architecture. Piranesi's reproductions (see right) were a strong influence on Neoclassicism.

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