Antichita Romanae
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- | [[Image:Piranèse, Deuxième frontispice - Le Antichità Romane, tome II.jpg|thumb|right|200px|''[[Antichita Romanae]]'' ([[1748]]) by [[Giovanni Battista Piranesi|Piranesi]]]] | + | [[Image:Antichità Romane.jpg|thumb|right|200px|''[[Antichita Romanae]]'' ([[1748]]) by [[Giovanni Battista Piranesi|Piranesi]]]] |
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The late [[Baroque]] works of [[Claude Lorrain]] and [[Salvatore Rosa]] had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. [[Piranesi]]'s reproductions (see right) of real and [[fictitious]] [[Roman Empire|Roman]] ruins were a strong influence on [[Neoclassicism]]. | The late [[Baroque]] works of [[Claude Lorrain]] and [[Salvatore Rosa]] had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. [[Piranesi]]'s reproductions (see right) of real and [[fictitious]] [[Roman Empire|Roman]] ruins were a strong influence on [[Neoclassicism]]. | ||
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The late Baroque works of Claude Lorrain and Salvatore Rosa had featured romantic and fantastic depictions of ruins; in part as a memento mori or as a reminiscence of a golden age of architecture. Piranesi's reproductions (see right) of real and fictitious Roman ruins were a strong influence on Neoclassicism.
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