Antichita Romanae
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| [[Image:Piranèse, Deuxième frontispice - Le Antichità Romane, tome II.jpg|thumb|right|200px|''[[Antichita Romanae]]'' ([[1748]]) by [[Giovanni Battista Piranesi|Piranesi]]]] | [[Image:Piranèse, Deuxième frontispice - Le Antichità Romane, tome II.jpg|thumb|right|200px|''[[Antichita Romanae]]'' ([[1748]]) by [[Giovanni Battista Piranesi|Piranesi]]]] | ||
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| - | The late [[baroque]] works of [[Claude Lorrain]], [[Salvatore Rosa]], and [[Piranesi]] had featured romantic and fantastic depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[construction]]. Piranesi's reproductions of real and recreated Roman ruins were a strong influence on [[Neoclassicism]]. | + | The late [[Baroque]] works of [[Claude Lorrain]], [[Salvatore Rosa]], and [[Piranesi]] had featured [[romantic]] and [[fantastic]] depictions of [[ruin]]s; in part as a [[memento mori]] or as a [[reminiscence]] of a [[golden age]] of [[architecture]]. His reproductions of real and [[fictitious]] [[Roman]] ruins were a strong influence on [[Neoclassicism]]. |
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The late Baroque works of Claude Lorrain, Salvatore Rosa, and Piranesi had featured romantic and fantastic depictions of ruins; in part as a memento mori or as a reminiscence of a golden age of architecture. His reproductions of real and fictitious Roman ruins were a strong influence on Neoclassicism.
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