Ambient music in Japan
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
Revision as of 13:09, 1 January 2019 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 13:25, 1 January 2019 Jahsonic (Talk | contribs) Next diff → |
||
Line 11: | Line 11: | ||
*''[[Erik Satie (France 1866-1925)]]'' (1983) by [[Satsuki Shibano]] | *''[[Erik Satie (France 1866-1925)]]'' (1983) by [[Satsuki Shibano]] | ||
*[[Yoriaki Matsudaira]] | *[[Yoriaki Matsudaira]] | ||
+ | *[[Japanese music]] | ||
{{GFDL}} | {{GFDL}} |
Revision as of 13:25, 1 January 2019
"Over the last few years, obscure Japanese ambient classics like Hiroshi Yoshimura’s Green and Midori Takada’s Through The Looking Glass have surged in popularity. Lewis Gordon investigates the phenomenon, talking to the record collectors and vendors in the US, UK and Japan that helped inform a new wave of interest." --Factmag[1] |
Related e |
Featured: |
Ambient music in Japan arose in the early eighties with artists such as Hiroshi Yoshimura, Takashi Kokubo, Harry Hosono, Midori Takada and Satoshi Ashikawa.
A forerunner was Music for Zen Meditation (1964) by Tony Scott, featuring Shinichi Yuize (koto) and Hōzan Yamamoto (shakuhachi).
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ambient music in Japan" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.