Ambient music in Japan
From The Art and Popular Culture Encyclopedia
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| A forerunner was ''[[Music for Zen Meditation]]'' (1964) by [[Tony Scott (musician)|Tony Scott]], featuring [[Shinichi Yuize]] ([[koto (musical instrument)|koto]]) and [[Hōzan Yamamoto]] ([[shakuhachi]]). | A forerunner was ''[[Music for Zen Meditation]]'' (1964) by [[Tony Scott (musician)|Tony Scott]], featuring [[Shinichi Yuize]] ([[koto (musical instrument)|koto]]) and [[Hōzan Yamamoto]] ([[shakuhachi]]). | ||
| ==See also== | ==See also== | ||
| - | *''[[Erik Satie (France 1866-1925)]]'' (1983) by Satsuki Shibano | + | *''[[Erik Satie (France 1866-1925)]]'' (1983) by [[Satsuki Shibano]] |
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"Over the last few years, obscure Japanese ambient classics like Hiroshi Yoshimura’s Green and Midori Takada’s Through The Looking Glass have surged in popularity. Lewis Gordon investigates the phenomenon, talking to the record collectors and vendors in the US, UK and Japan that helped inform a new wave of interest." --Factmag[1] |
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Ambient music in Japan arose in the early eighties with artists such as Hiroshi Yoshimura, Takashi Kokubo, Harry Hosono, Midori Takada and Satoshi Ashikawa.
A forerunner was Music for Zen Meditation (1964) by Tony Scott, featuring Shinichi Yuize (koto) and Hōzan Yamamoto (shakuhachi).
See also
- Erik Satie (France 1866-1925) (1983) by Satsuki Shibano
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