Albert Lewin
From The Art and Popular Culture Encyclopedia
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+ | '''Albert Lewin''' ([[1894]]–[[1968]]) was an [[United States|American]] [[film director]], [[Film producer|producer]], and [[screenwriter]]. | ||
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+ | He was born in [[Brooklyn, New York]] on [[September 23]] 1894 and raised in [[Newark, New Jersey]]. He earned a Master's degree at [[Harvard]] and taught English at the [[University of Missouri–Columbia|University of Missouri]]. During [[World War I]], he served in the military and was afterwards appointed assistant national director of the [[American Jewish Relief Committee]]. He later became a drama and film critic for the [[Jewish Tribune]] until the early [[1920s]], when he went to Hollywood to become a reader for [[Samuel Goldwyn]]. Later he worked as a script clerk for directors [[King Vidor]] and [[Victor Sjöström]] before becoming a screenwriter at [[MGM]] in [[1924]]. | ||
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+ | Lewin was appointed head of the studio's script department and by the late 20s was [[Irving Thalberg]]'s personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the [[1930s]]. After Thalberg's death, he joined [[Paramount Pictures|Paramount]] as a producer in [[1937]], where he remained until [[1941]]. Notable producing credits during this period include ''[[True Confession]]'' (1937), ''[[Spawn of the North]]'' ([[1938]]), ''[[Zaza]]'' ([[1939]]) and ''[[So Ends Our Night]]'' (1941). | ||
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+ | In [[1942]], Lewin began directing. He made six films, writing all and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In [[1966]], Lewin published a novel, ''The Unaltered Cat''. He died of [[pneumonia]] in [[New York, New York|New York]] on [[May 9]] [[1968]]. | ||
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+ | ==Films== | ||
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+ | As director: | ||
+ | * ''[[The Moon and Sixpence]]'' ([[1942]]) | ||
+ | * ''[[The Picture of Dorian Gray (1945 film)|The Picture of Dorian Gray]]'' ([[1945]]) | ||
+ | * ''[[The Private Affairs of Bel Ami]]'' ([[1947]]) | ||
+ | * ''[[Pandora and the Flying Dutchman]]'' ([[1951]]) | ||
+ | * ''[[Saadia]]'' ([[1954]]) | ||
+ | * ''[[The Living Idol]]'' ([[1957]]) | ||
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Albert Lewin (1894–1968) was an American film director, producer, and screenwriter.
He was born in Brooklyn, New York on September 23 1894 and raised in Newark, New Jersey. He earned a Master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924.
Lewin was appointed head of the studio's script department and by the late 20s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include True Confession (1937), Spawn of the North (1938), Zaza (1939) and So Ends Our Night (1941).
In 1942, Lewin began directing. He made six films, writing all and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, The Unaltered Cat. He died of pneumonia in New York on May 9 1968.
Films
As director:
- The Moon and Sixpence (1942)
- The Picture of Dorian Gray (1945)
- The Private Affairs of Bel Ami (1947)
- Pandora and the Flying Dutchman (1951)
- Saadia (1954)
- The Living Idol (1957)