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-[[Image:Turkish Bath by Ingres.jpg|thumb|right|200px|''[[The Turkish Bath]]'' ([[1862]]) - [[Jean Auguste Dominique Ingres]]]]{{Template}}+[[Image:Whistler, “Symphony in White, No.1 The White Girl, painted 1862.jpg|thumb|200px|right|[[James Whistler]]'s painting '''''Symphony in White, No. 1: The White Girl''''' ([[1862]]) caused [[controversy]] when exhibited in London and, later, at the ''[[Salon des Refusés]]'' in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the [[realism|accurate portrayal of the natural world]].]][[Image:Turkish Bath by Ingres.jpg|thumb|right|200px|''[[The Turkish Bath]]'' ([[1862]]) - [[Jean Auguste Dominique Ingres]]]]{{Template}}
== Art and culture == == Art and culture ==

Revision as of 12:08, 2 February 2008

James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.
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James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.

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