1862  

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-[[Image:Whistler, “Symphony in White, No.1 The White Girl, painted 1862.jpg|thumb|200px|right|[[James Whistler]]'s painting '''''Symphony in White, No. 1: The White Girl''''' ([[1862]]) caused [[controversy]] when exhibited in London and, later, at the ''[[Salon des Refusés]]'' in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the [[realism|accurate portrayal of the natural world]].]][[Image:Turkish Bath by Ingres.jpg|thumb|right|200px|''[[The Turkish Bath]]'' ([[1862]]) - [[Jean Auguste Dominique Ingres]]]]+[[Image:The Birth of Venus (Duval).jpg|thumb|200px|''[[The Birth of Venus (Duval)|The Birth of Venus]]''(La Naissance de Vénus) (1862) by [[Eugène Emmanuel Amaury Duval|Amaury Duval]]]]
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 +[[Image:Whistler, “Symphony in White, No.1 The White Girl, painted 1862.jpg|thumb|200px|right|[[James Whistler]]'s painting ''[[Symphony in White, No. 1: The White Girl]]'' ([[1862]]) caused [[controversy]] when exhibited in London and, later, at the ''[[Salon des Refusés]]'' in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the [[realism|accurate portrayal of the natural world]].]]
 + 
 +[[Image:Turkish Bath by Ingres.jpg|thumb|right|200px|''[[The Turkish Bath]]'' ([[1862]]) - [[Jean Auguste Dominique Ingres]]]]
{{Template}} {{Template}}
 +'''{{PAGENAME}}''' is a year of the [[1860s]].
== Art and culture == == Art and culture ==
-*[[Fyodor Dostoevsky]] visits the [[Crystal Palace]] +*[[Fyodor Dostoevsky]] visits [[the Crystal Palace]]
*[[Swinburne]] meets [[Richard Monckton Milnes]], who introduced him to [[Richard Burton]] and to the works of the [[Marquis de Sade]]. *[[Swinburne]] meets [[Richard Monckton Milnes]], who introduced him to [[Richard Burton]] and to the works of the [[Marquis de Sade]].
*[[Bohemianism ]] quote: "The term 'Bohemian' has come to be very commonly accepted in our day as the description of a certain kind of literary gipsey, no matter in what language he speaks, or what city he inhabits .... A Bohemian is simply an artist or littérateur who, consciously or unconsciously, secedes from conventionality in life and in art." ["[[Westminster Review]]"] *[[Bohemianism ]] quote: "The term 'Bohemian' has come to be very commonly accepted in our day as the description of a certain kind of literary gipsey, no matter in what language he speaks, or what city he inhabits .... A Bohemian is simply an artist or littérateur who, consciously or unconsciously, secedes from conventionality in life and in art." ["[[Westminster Review]]"]
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*''[[The White Girl]]'' by Whistler *''[[The White Girl]]'' by Whistler
*''[[The Turkish Bath]]'' by [[Jean Auguste Dominique Ingres]] *''[[The Turkish Bath]]'' by [[Jean Auguste Dominique Ingres]]
-*''[[La Source]]'' by Gustave Courbet+*''[[La Source (Courbet)|La Source]]'' by [[Gustave Courbet]]
-*''[[The Cedars of Lebanon]]'' by Edward Lear +*''[[The Cedars of Lebanon]]'' by [[Edward Lear]]
 +*''[[The Birth of Venus (Duval)|The Birth of Venus]]'' by Duval
===Technology=== ===Technology===
*Ponti's [[Megalethoscope]] *Ponti's [[Megalethoscope]]

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James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.
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James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

1862 is a year of the 1860s.

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