One Culture and the New Sensibility
From The Art and Popular Culture Encyclopedia
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- | "'''One Culture and the New Sensibility'''" is an [[essay]] by [[Susan Sontag]] first published in ''[[Mademoiselle (magazine) |Mademoiselle]]'' in 1965. It was later collected in an expanded version in ''[[Against Interpretation]]'' of 1966. | + | "'''One Culture and the New Sensibility'''" is an [[essay]] by [[Susan Sontag]] first published in ''[[Mademoiselle (magazine) |Mademoiselle]]'' in 1965. It was later collected in an expanded version in ''[[Against Interpretation]]'' of 1966. The essay is often referenced for noting that the boundaries between [[low culture]] and [[high culture]] were disappearing. |
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Revision as of 08:01, 16 April 2014
"One important consequence of the new sensibility [is] that the distinction between "high" and "low" culture seems less and less meaningful." "If art is understood as a form of discipline of the feelings and a programming of sensations, then the feeling (or sensation) given off by a Rauschenberg painting might be like that of a song by the Supremes. The brio and elegance of Budd Boetticher’s The Rise and Fall of Legs Diamond or the singing style of Dionne Warwick can be appreciated as a complex and pleasurable event. They are experienced without condescension." --Susan Sontag, 1965. |
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"One Culture and the New Sensibility" is an essay by Susan Sontag first published in Mademoiselle in 1965. It was later collected in an expanded version in Against Interpretation of 1966. The essay is often referenced for noting that the boundaries between low culture and high culture were disappearing.