1900-World War I subcultures
From The Art and Popular Culture Encyclopedia
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Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
1900-World War I
In the early part of the 20th century, subcultures were mostly informal groupings of like-minded individuals. The Bloomsbury Group in London was one example, providing a place where the diverse talents of people like Virginia Woolf, Leonard Woolf, John Maynard Keynes, and E.M. Forster could interact.
In Germany, from 1896 onward there developed a movement of young men (and later young women) which focused on freedom and natural environments. Called Wandervogel (translated as "hikers", "ramblers" or, more precisely, "migratory birds"), they wanted to throw off the strict rules of society and be more open and natural.
The first known organised club for nudists, Freilichtpark (Free-Light Park), was opened near Hamburg, Germany in 1903.
In Italy, a popular art movement and philosophy called Futurism championed change, speed, violence and machines.
See also
- History of subcultures in the 20th century
- 1900-World War I subcultures
- World War I subcultures
- 1920s and 1930s subcultures
- 1940s subcultures
- 1950s subcultures
- 1960s subcultures
- 1970s subcultures
- 1980s subcultures
- 1990s subcultures
