"Fantasy and invention" in the work of Goya  

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-During [[Goya's deafness|Goya's recuperation]] (1793–94) of his physical and [[mental breakdown]], he undertook a series of eleven small [[cabinet painting]]s on [[tin]] painted at [[Sebastian Martinez]]'s.+During [[Goya]]'s [[Goya's deafness|recuperation]] (1793–94) of his physical and [[mental breakdown]], he undertook a series of eleven small [[cabinet painting]]s on [[tin]] painted at [[Sebastian Martinez]]'s.
These were sent to the Academy in Madrid for inspection and to be sold to help Goya recover his financial losses during his illness. These were sent to the Academy in Madrid for inspection and to be sold to help Goya recover his financial losses during his illness.

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During Goya's recuperation (1793–94) of his physical and mental breakdown, he undertook a series of eleven small cabinet paintings on tin painted at Sebastian Martinez's.

These were sent to the Academy in Madrid for inspection and to be sold to help Goya recover his financial losses during his illness.

They marked a significant change in his art, no longer representing a dark, grotesque realm of fantasy and nightmare.

In a now famous quote Goya wrote about "fantasy and invention".

In a letter to Bernardo de Iriarte (vice-protector of the Real Academia de Bellas Artes de San Fernando) dated January 4, 1794, Goya indicates, “In order to occupy an imagination mortified by the contemplation of my sufferings and to recover part of the very great expense they have occasioned, I have devoted myself to painting a group of cabinet pictures in which I have I have succeeded in making observations for which there is normally no opportunity in commissioned works, which give no scope for fantasy and invention.” (tr. Enriqueta Harris)

Para ocupar la imaginación mortificada en la consideración de mis males, y para resarcir en parte los grandes dispendios que me han ocasionado, me dediqué a pintar un juego de cuadros de gabinete, en que he logrado hacer observaciones a que regularmente no dan lugar las obras encargadas, y en que el capricho y la invención no tienen ensanches.

One of those paintings is Yard with Lunatics .

References

Pierre Gassier and Juliet Wilson. The Life and Complete Work of Francisco Goya. New York: Reynal & Co., 1971. 109-111.


See also




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